All posts tagged: 2021

A Very Full Day

By SHUBHA SUNDER

 

He was, locals agreed, the quintessential Kaverinagar retiree. In his wool-silk trousers, navy-blue sweater, and plaid scarf wrapped tight about the ears, C. K. Rajgopal, former Air India pilot, cut a lithe figure as he strode down Eighth Main. On his feet he wore the ergonomic shoes his son had brought him from America. Designed for trekking—or for Indian sidewalks, his son had said—the shoes had, for the past weeks, felt heavy, like stones tied to his ankles. But this morning, strangely, it was no longer so. Perhaps his leg muscles had needed time to adjust to their new load, perhaps he was rejuvenated by the winter air—whatever the reason, as he made his way to Wodeyar Lake, past the provisions store and the barbershop, still shuttered at this early hour, past the temple and the sugarcane juice stall, Mr. Rajgopal experienced a lightness, as if the ground were falling away from him and he were floating, gliding, over the pavement stones and under the gulmohars, through clouds of golden dust churned by the municipal workers’ brooms.

A Very Full Day
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Three Sunrises to Ouranopolis

By NICHOLAS SAMARAS

 

I rode a slow bus out of blackness.
Five a.m. in northern Greece.
The language, blurry and mumbled.
I paid pastel money for a bus
ticket to Ouranopolis whose name
means “City of Heaven.”

Three Sunrises to Ouranopolis
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Khobar Spleen

BY NATASHA BURGE

 

We were born here so we know how to do. This is the way you walk when you walk. An engine of engines. A glitter of glitter. At the corniche we gather by the sex to watch the constellation of earth. Force and proclivity, tingle and strip, all the whole day is before me. Also, it is not yours. 

The departure of myth is something we count—a tickbox for each missing hour. Any memory not capitulated is likely to reform. It is forsaken, this tally. The formation of expatriates requires a mobile constitution, a tendency to ruminate, and general indemnity from causes. A coalition of glass bottles rolling up a hill. 

Khobar Spleen
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The Streets These Days

By J. KATES 

 

The life-size and realistic bronze has stood on its parklet street corner for so long that no one remembers whom it represented or what it memorializes. The sculptor had done a good job. It looks pleased with itself, proud of its accomplishments in life.
 
Someone’s hat, an ordinary tweed cap, green and brown, not even worth describing, has fallen off, blown away, and come to rest upside down on the pavement underneath the bronze. Slowly the cap is filling up with coins and bills from passers-by. Clearly, they think this is not public art, but a street-artist slathered in metallic paint from head to foot, holding a pose. And the cap must be his.

A man has stopped to look. He is underdressed for the weather and disturbingly unkempt, talking out loud with nobody to listen. In the old days, we would have taken him to be schizophrenic. Nowadays, surely he must be wearing earbuds and conversing with his girlfriend. We do not give him a second glance. He continues exchanging messages with his teeth. 

The bronze figure looks pleased with itself.

We drop a quarter in the cap.

The Streets These Days
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Opulence

By RICHIE HOFMANN 

 

The night river calms me with its slow dirty movements.
I walk home briskly, in a black baseball cap.
I work at the fringes of the day. I write poetry in bed
and criticism in the bath.
Among my friends here, I have a man
who calls me love names
in four languages. Once, in a moment, I thought I wanted to die
of his pleasure, but that was a wound
speaking. The history of this place
abounds with wounds.
Mobs of vandals have ransacked the villas.
A very rich man on his deathbed
from a corrupt family who loves the arts
was fed a medicine of powdered pearls.

Opulence
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