2023 | Page 11 | The Common

Translation: Excerpt from A SPACE BOUNDED BY SHADOWS

August 3, 2023 Fiction, Translation

By EMINE SEVGI ÖZDAMAR
Translated from the German by YANA ELLIS

Piece appears below in both English and German.

Translator’s note

One of the many things that drew me to A Space Bounded by Shadows is the novel’s overarching theme of exile and wandering between worlds — imaginary and real. The narrative weaves the rich tapestry of an artist’s life between art, relationships, and politics and their declaration of love for literature, film, and theatre. As an immigrant myself, the book captured me immediately because it explores how mother tongue and second language can merge, creating a new, enriched language and overcoming speechlessness in exile.

Review: Poems of Encounter in Dipika Mukherjee’s Dialect of Distant Harbors

July 31, 2023 Reviews

By DIPIKA MUKHERJEE
Reviewed by LYNNE MCENIRY

“Tell me the landscape in which you live and I will tell you who you are,” suggests philosopher José Ortega y Gasset. Based on her collection Dialect of Distant Harbors, Dipika Mukherjee would agree, I believe, but “landscapes” here would have to be plural, because in addition to geographical landscapes, these poems embrace multiple settings, languages, weather, generations, relationships, and traditions and rituals, both spiritual and secular. Through experiences both lived and dreamed, her poems invite the reader to discover beauty, danger, and heartbreak by exploring new worlds and revealing heart-stopping moments of intimacy. The harbors she describes are distant but never forgotten, both welcoming and estranging.

Although they are not named or numbered, we can see by the choice of extra spacing between each group of five to seven poems in the table of contents that Mukherjee has created seven sections for this collection. Throughout the book, each section is separated by a graceful lotus mandala, similar to those that adorn sacred texts and women’s hands hennaed for special occasions. These seven symbolic pauses serve as a constant reminder of the overarching message of healing, resilience, and rebirth in all the poems carefully gathered here. They also invite the reader to pay special attention to seven central themes: generational roots, the misogyny and physical torture women suffer, the passing of time, the horrific violence of racial and cultural hate, mortality, migration and exile, and the value of travel.

July 2023 Poetry Feature: Esteban Rodríguez

July 27, 2023 Poetry

Please welcome new contributor ESTEBAN RODRÍGUEZ.

In LOTERÍA—which draws its form from the Mexican game of chance yet manages to convey a sense of inevitability with every line—Esteban Rodríguez presents intimate and compassionate portraits of family members. Among the most vivid are those of his father, whose crossing of the desert is imagined in kaleidoscopic, multivalent sequences both harrowing and hallucinatory, and his mother, whose high spirits and physical sufferings are vividly reconstructed and turned for moving insights. Deeply companionable, offered in a voice that is simultaneously energetic and guided by confident restraint, these poems are full of love and clarity, an uncommon and welcome combination. 

—John Hennessy, Poetry Editor

Four Country Sonnets (with Attachments)

July 26, 2023 Dispatches

By G.G. HARROW

Eastern Kentucky

After Terrance Hayes and Wanda Coleman

Attachment 1

country music is Black — indigenous — immigrant — almost successfully paved over — i made these poems from 36 common words in top-selling country songs since the ’90s according to a concert ticket corporation

Translation: Excerpt from TAXI

July 25, 2023 Fiction, Translation

By SERGIO ALTESOR LICANDRO
Translated from the Spanish by MARY HAWLEY

Translator’s note: Sergio Altesor Licandro’s 2016 novel TAXI (Estuary Editora, 2016) holds particular resonance this year, the fiftieth anniversary of the brutal military dictatorship in Uruguay, which held power from 1973 to 1985. The novel is structured as a series of journal entries recorded by the protagonist, Pedro Fontana, who in his youth—like the author—spent years in military prisons in Uruguay, as punishment for his opposition to the military dictatorship, before being exiled to Sweden. In Sweden, Fontana trained to become an artist, lived there for some years, and eventually left to search elsewhere for his destiny. Now, many years later, he has returned to Sweden for a conceptual art project, which is to drive a taxi in Stockholm and record his interactions with the passengers, as a way of analyzing life in Sweden at a time when the democratic-socialist ideals of the past have given way to a grim neoliberalism. In this excerpt, however, Pedro Fontana must instead analyze his own past.

Podcast: Matt Donovan on “Guy with a Gun”

July 21, 2023 Podcast, Podcasts & Audio

Listen on Apple Podcasts.

Listen on Google Podcasts.

Listen on Spotify.

Transcript: Matt Donovan Podcast

Matt Donovan speaks to managing editor Emily Everett about his prose poem “Guy with a Gun,” which appeared in The Common’s fall issue. Matt talks about the conversation that inspired the poem—an encounter with a Sandy Hook parent that highlights the complex gray area around guns and gun ownership. He also discusses how his poetry collection about the issue of guns in the US evolved from a nonfiction book proposal, his aims in undertaking the project, and his job running The Boutelle-Day Poetry Center at Smith College.

The Common Awarded 2023 Amazon Literary Partnership Grant

July 20, 2023 News, News and Events

We are pleased to announce that The Common is among the 93 literary nonprofit organizations awarded a 2023 Literary Magazine Fund Grant by the Amazon Literary Partnership Literary Magazine Fund, in conjunction with the Community of Literary Magazines & Presses. Since 2017, funding from the Amazon Literary Partnership has helped further The Common’s mission of publishing and promoting emerging and diverse authors who deepen our individual and collective sense of place. In 2023, the Amazon Literary Partnership awarded nearly $1M in funds.

The Rediscovery of Bodies

July 13, 2023 Fiction

By AMMI KELLER

For Rachel, the plague ended in May of 2021, on the day she again touched a stranger.

This stranger appeared when Rachel entered the clothing optional area of Dessert Springs. The name was a pun, the resort’s sign featuring a cartoon girl reclining in a banana split boat. Only two of the nine hot tubs were occupied, both by white women naked except for full suits of what appeared to be rockabilly tattoos. Rachel and her wife SJ, both one month vaccinated, started filling their stock tubs. Then, as Rachel walked past the women on her way to the outdoor shower, they laughed.

Pastoral Resistance

July 12, 2023 Dispatches

By ROB SPILLMAN

Catskill, New York

Interrogating the Narrative of Injustice: Daphne Santana Strassmann interviews Enzo Silon Surin

July 10, 2023 Interviews

Haitian-born poet ENZO SILON SURIN gives “voice to experiences that take place in what he calls broken spaces.” These are the spaces he writes about, writes for, and writes from. In his latest poetry collection, American Scapegoat, following the success of his last book, When My Body Was A Clinched Fist, Surin illuminates our opaque relationship with the truest history of Black America. His poems invoke an urgent conversation, which is why the word “interview” here feels unmalleable; Enzo and DAPHNE STRASSMANN had a vulnerable exchange about the inheritance and meaning of a broken space.

All posts tagged: 2023

Translation: Excerpt from A SPACE BOUNDED BY SHADOWS

Review: Poems of Encounter in Dipika Mukherjee’s Dialect of Distant Harbors

July 2023 Poetry Feature: Esteban Rodríguez

Four Country Sonnets (with Attachments)

Translation: Excerpt from TAXI

Podcast: Matt Donovan on “Guy with a Gun”

The Common Awarded 2023 Amazon Literary Partnership Grant

The Rediscovery of Bodies

Pastoral Resistance

Interrogating the Narrative of Injustice: Daphne Santana Strassmann interviews Enzo Silon Surin

Discover the extraordinary in The Common.