All posts tagged: Audio

Podcast: Vix Gutierrez on “Don’t Step Off the Path”

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Transcript: Vix Gutierrez

Vix Gutierrez speaks to managing editor Emily Everett about her essay “Don’t Step Off the Path,” which appears in The Common’s most recent issue. Vix talks about writing this essay, a coming of age story about her teenage years spent in the Balkans immediately after the Yugoslav Wars, where she lived with a very small humanitarian aid organization. The essay is a fascinating look at a rarely-explored moment in time, and probes the doubts, dangers, and power that come from being a young woman in a postwar landscape of men. Vix also discusses her formative time spent at the DISQUIET International Program in Lisbon, Portugal, and in the MFA program at the University of Florida.

portrait of vix gutierrez

Podcast: Vix Gutierrez on “Don’t Step Off the Path”
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Issue 26 in the news

Since its publication this November, The Common’Issue 26 portfolio of writing and art from the seasonal, migrant, and immigrant farmworker community has received attention from a variety of news outlets and organizations across the United States. Visit the links below to hear conversations with farmworker portfolio co-editors and contributors, read more about the development of the portfolio, and keep up with ongoing programming involving our fall issue.

Screenshot of NEPM Article about farmworker portfolio Screenshot of LitHub coverage of TC's farmworker portfolio Screenshot of Texas Public Radio's article about the farmworker portfolio Screenshot of the Buffalo AKG Art Museum Website with Narsiso Martinez exhibit description

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Issue 26 in the news
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The Little One

By NAYEREH DOOSTI

The baby would be fine, Saeed’s wife said. As the family gathered around the dinner table for his special dessert, a beet cake with yogurt icing, and his home-brewed beer, Saeed agreed to watch the kids on Thursday so that his wife could have a day to herself. They were his grandchildren, too, after all. Although it was only his fifth day in the new country, he had already gotten over his jet lag, touched and kissed his family multiple times, and been given a tour of the neighborhood. He had also bought a road bike and signed up for a spot at the community garden. Now it was time to get acquainted with the grandkids.

The Little One
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Double Infinity

By MARIA TERRONE

On 88th, the street where I lived as a girl when an hour could seem an eternity, it would be years before I met the young man who pointed out that those numbers, turned on their sides, had a special meaning. What meaning? I wondered and pondered the two unbroken loops pinched at their centers, forever returning to themselves like a pair of ice skaters tracing figure eights into a state of bliss. I wondered if he thought that love is infinite, that our souls will live forever, that sky even on crystalline days moves into unseeable endless space. I was thinking that the iris of his hazel eyes pulled me into a place where I could feel lost or float before thought was possible, as if in vitro. I no longer live on 88th Street, having left double infinity in its impossible realm. Because infinity cannot be multiplied or divided—infinity just is. Still, I was grateful that I didn’t live on Main Street or Elm, and the young man I married found meaning on that finite block in Queens where he found me.

Double Infinity
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Podcast: Christopher Spaide on “Closure?”

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Transcript: Christopher Spaide Podcast

Christopher Spaide speaks to managing editor Emily Everett about his poem “Closure?,” which appears in The Common’s most recent issue. Chris talks about how his curiosity for language and wordplay often lead him into deeper themes in his poems. He also discusses taking his first poetry class at Amherst College, and, now, teaching poetry classes himself at Emory University.

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Podcast: Christopher Spaide on “Closure?”
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Podcast: Jake Lancaster on “Grace’s Folly”

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Transcript: Jake Lancaster Podcast

Jake Lancaster speaks to managing editor Emily Everett about his story “Grace’s Folly,” which appears in The Common’s most recent issue. Jake talks about writing stories that lean into the offbeat, uncomfortable, and sometimes grotesque parts of his characters and their lives. He also discusses his writing and revision process—carving away at long first drafts until all that’s left is essential—and his work teaching writing at the University of Minnesota.

portrait image of jake lancaster and issue 25
Podcast: Jake Lancaster on “Grace’s Folly”
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Ala Fox on “Ramadan in Saint-Denis”

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Transcript: Ala Fox Podcast

Ala Fox speaks to managing editor Emily Everett about her essay “Ramadan in Saint-Denis,” which appears in The Common’s most recent issue. Ala talks about weaving together the threads of her experiences living in Paris into an essay that explores a lot of questions but doesn’t try to answer them. The piece dives into the dynamics between neighborhoods, and between native Parisians and immigrant communities, and explores the possibility of creating and sustaining love across language barriers and distance. Ala also discusses why she was nervous about publishing the essay, and how it would be received in the Muslim community.

headshot of ala fox with cover of issue 25 next to her

Ala Fox on “Ramadan in Saint-Denis”
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Podcast: Matt Donovan on “Guy with a Gun”

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Transcript: Matt Donovan Podcast

Matt Donovan speaks to managing editor Emily Everett about his prose poem “Guy with a Gun,” which appeared in The Common’s fall issue. Matt talks about the conversation that inspired the poem—an encounter with a Sandy Hook parent that highlights the complex gray area around guns and gun ownership. He also discusses how his poetry collection about the issue of guns in the US evolved from a nonfiction book proposal, his aims in undertaking the project, and his job running The Boutelle-Day Poetry Center at Smith College.

a picture of matt donovan next to issue 23's cover of buttons

Podcast: Matt Donovan on “Guy with a Gun”
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Podcast: Robin Lee Carlson on “Reading the Ashes”

 

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Transcript: Robin Lee Carlson Podcast

Robin Lee Carlson speaks to managing editor Emily Everett about her essay “Reading the Ashes,” which appears in The Common’s fall 2022 issue. Robin talks about the many-year process of observation, illustration, and writing that went into the essay, which explores the cycle of fire and rebirth in Cold Canyon. She also discusses how her work balances the poetic and artistic with the scientific, how sketching and watercolors help her understand the natural world, and how she hopes her book will encourage readers to observe and question ecological change in their local areas.

Robin Lee Carlson headshot next to cover of Issue 24 of the common

Podcast: Robin Lee Carlson on “Reading the Ashes”
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Albatross

By ANNA BADKHEN

 

As soon as I read about the albatrosses in the Times, I thought of my big sister. Natasha. 

Natasha—albatross ty nasha,” Aunt Lyuba would sing in the communal kitchen, slinging blobs of wheat porridge into my bowl with the cornflower border. Each time she’d shuffle the bowl from the stove over to Natasha-and-my table, her felt slippers would catch on the peeling linoleum floor, and I’d worry about my breakfast. But Aunt Lyuba never slipped. 

Albatross
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