If I should tell you they come to this place,
those who’d written out their lying lives, that they move
languidly yet deft like butterflies, one by one they come,
a movement in the penumbra, each with a shimmering
shield or carapace on the back stretching from neck
to the fold of the knees,
By JON THOMPSON
“as the camera moves
through the streets of the Mexican border town
the plan was to feature
a succession of different and contrasting
Latin American musical numbers—
By JON THOMPSON
desire
In the flat uninhabited spaces, snow falls from an empty sky. Here and there, the bare branches of an oak are black against the steadily-falling flakes. When the air is thick with them, it’s not white, exactly, but a glowing bluish-white, shading to grey as evening comes on, darkness in tow. Snow accumulates like loneliness, one snowfall covering the last one, layering into snowdrifts that become the landscape.
1. goose girl
I’m chatting away merrily to his back
About how my grandmother worked here
As a nursemaid. Little changes
On an island. Look, a goose girl
In a floppy bonnet, charges honking.
Man who gave all the benefit of the doubt,
man of beer and doughnuts, man of wieners and maple syrup,
sweet-toothed man, man of the one-liner,
Book by DEAN YOUNG
Reviewed by
Dean Young is one of America’s most celebrated poets, the author of ten poetry collections, recipient of numerous national awards, and a fixture of campus bookstores. His poems are tremendously fun to read, and often very funny; for me, his work is distinct in the way it channels the spirit of a stand-up comic. He nests his liberal politics inside a vortex of anxiety; disguises insights as farce; and codes earnest messages in irreverence and transgression. In his latest collection, Bender: New and Selected Poems, this spirit is even more pronounced: His new poems explore the same general territory with a darker, subtler confidence. Young gives the impression that the blank page inspires him the way an unpredictable audience inspires a comic:
New poems from our print contributors in the U.S. and abroad.
This month’s poetry feature showcases work from new books by our contributors.
By NORMAN LOCK
The Common is pleased to present the opening pages of Norman Lock’s book-length poem, In the Time of Rat, which will be published by Ravenna Press this winter (2013). In a “narrow measure” muscular as Skelton’s but with the wit, precision, and grace of bonsai, Lock delivers the story of Nicolaas Jansen, “soldier/deserter,” insurgent subject and celebrant of Rat. Not since Ted Hughes’ Crow have we encountered a figure with this much disturbing gravity and charisma, and Rat is the more cunning and mercurial of the two. By the book’s end he has become God’s mimic and shadow, double to soldier and state, patron and incarnation of the impulse to war, that force relentlessly “turning/ what is human into/ meat.”
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