Recording | The Common

Double Infinity

November 6, 2023 Issue 26, Issue 26 Poetry, Poetry, Poetry Recordings

The Common Magazine · "Double Infinity" by Maria Terrone

On 88th, the street where I lived as a girl when an hour could seem an eternity, it would be years before I met the young man who pointed out that those numbers, turned on their sides, had a special meaning. What meaning? I wondered and pondered the two unbroken loops pinched at their centers, forever returning to themselves like a pair of ice skaters tracing figure eights into a state of bliss. I wondered if he thought that love is infinite, that our souls will live forever, that sky even on crystalline days moves into unseeable endless space. I was thinking that the iris of his hazel eyes pulled me into a place where I could feel lost or float before thought was possible, as if in vitro. I no longer live on 88th Street, having left double infinity in its impossible realm. Because infinity cannot be multiplied or divided—infinity just is. Still, I was grateful that I didn’t live on Main Street or Elm, and the young man I married found meaning on that finite block in Queens where he found me.

Exotic Pets

April 14, 2022 Fiction, Poetry Recordings

By CAL SHOOK

The Common Magazine · Exotic Pets by Cal Shook

The first time Ellis saw the girl, she was sitting on the front stoop of his building. She had a mop in one hand and a broom in the other, like she was using them to guard the place. The packages of Charmin stacked beside her looked like they were at attention too. She can’t be more than five or six, thought Ellis. And instead of climbing the stairs and passing her to let himself inside, he stopped, took off his Yankees cap, and with a smile said, Hiya. Hey kid. Hello there.

The girl did as he expected and gaped at the wine-spill of a birthmark on the left half of his face. She sniffed her runny nose up and blinked through her too-long bangs. Her mouth made a little frown and she said, Hi. My mom forgot the Windex.

Misdirection

April 26, 2021 Fiction, Issue 21, Issue 21 Fiction, Issues, Poetry Recordings

By AMALIA GLADHART

The Common Magazine · “Misdirection” by Amalia Gladhart

For years, I have tried to describe the light: the dry, dry gold; the purple peaks of our horizon; the long-armed valleys sliding off the peaks. Craters tinseled after frost, glaciers before the recent years of drought. Late-afternoon glow over brown dirt walls, valley floors blasting green with sugar, and the black volcanic rock of the single mountain without snow. Light like liquid gold against the brown, radiant gold drizzled across the ridges.

And then I try to name a lack of light, the mist that isn’t gray and isn’t white and isn’t rain. Light through fog, light instead of fog, fog instead of light. The sparkle of dew along a leaf, even when it seems there isn’t any light at all. Light, and not-light, that you can get lost in. Light that misleads you, leads you on. The flicker of a flashlight through tent walls.

Cento for Surrender

April 26, 2021 Issue 21, Issue 21 Poetry, Poetry, Poetry Recordings

By RAGE HEZEKIAH

The Common Magazine · “Cento For Surrender” by Rage Hezekiah

Nostalgia is a well-
intentioned wound,
you have to hold
it in mind all at once—
you have to need it
enough. I’ve been

The Good Donkey

April 26, 2021 Fiction, Issue 21, Issue 21 Fiction, Podcasts & Audio, Poetry Recordings

By TALIA LAKSHMI KOLLURI

The Common Magazine · “The Good Donkey” by Talia Kolluri

I am not pleased. Paint is dripping down my hoof and the colors are muddled together. I shouldn’t complain. I agreed to it, of course.

Hafiz is putting together a zoo. And he asked me to be the zebra.

“You’re a very good donkey, habibi,” he told me three days ago, “but the border is closed, and everyone says prices for using the smuggling tunnels have gone up. I can’t afford the zebra in Damascus, and the one in Cairo is twice that price.” He gestured wildly, scattering my oats. What a waste.

I don’t know much about borders, but I would do anything for Hafiz. He is more than a father to me.

That Awkward Unbalance that Becomes the Beautiful: an Interview with Archibald MacLeish

March 29, 2017 Interviews, Podcasts & Audio

TOM FELS interviews ARCHIBALD MACLEISH

In May 1965, Amherst College student Tom Fels ’67 interviewed three-time Pulitzer Prize-winning poet Archibald MacLeish. The below interview, conducted at MacLeish’s home in Conway, Mass., is adapted from their conversation, a portion of which originally appeared in the town newspaper the Amherst Record.

Archibald MacLeish, one of the best-known American poets, playwrights, and public intellectuals, was born in Illinois, and educated at Hotchkiss and Yale, later taking a law degree at Harvard. After participating in World War I, he forsook the life of an attorney to focus on poetry, making his living for several years as an editor of Fortune magazine. Under President Franklin Roosevelt, he was for five years the Librarian of Congress, and later, during World War II, an assistant Secretary of State. After the war he taught at Harvard for thirteen years before taking the position of Simpson Lecturer at Amherst College (1963-67). MacLeish was the author more than fifty works of poetry, nonfiction, and drama.

Tom Fels is a curator and writer based in southern Vermont. His work in the arts includes exhibitions at the Getty Museum in Malibu, CA, and the Van Gogh Museum in Amsterdam, as well as numerous articles and books. He is the author of two books on the 1960s, Farm Friends and Buying the Farm. Fels met Archibald MacLeish after the poet’s delivery of his convocation speech at Amherst College’s Frost Library in 1963. This interview was the first of many that have played a part in Fels’s writing and research. Among the latest is a conversation with MacLeish’s fellow former Harvard faculty member Daniel Aaron in The Sixties: A Journal of History, Politics and Culture (June 2013).

Listen to a recording of the interview here, or scroll down to read.

All posts tagged: Recording

Double Infinity

Exotic Pets

Misdirection

Cento for Surrender

The Good Donkey

That Awkward Unbalance that Becomes the Beautiful: an Interview with Archibald MacLeish

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