Reviewed by SAM SPRATFORD
All posts tagged: reviews
What We’re Reading: January 2025
Curated by SAM SPRATFORD
As we’re finding our footing in 2025 and, in the U.S., shoring up against new political realities, January has been pervaded by a sense of uncertainty. The books our community is reading right now seem to respond to this feeling, in areas of life spanning from assimilation to cooking anxiety. Read on for recommendations from our contributors AFTON MONTGOMERY, HEMA PADHU, and ADRIENNE SU that just might help to stabilize your spirits—or, at the very least, provide some quality distraction.
Miriam Ungerer’s Good Cheap Food and Margaret Eby’s You Gotta Eat: Real-Life Strategies for Feeding Yourself When Cooking Feels Impossible; recommended by Issue 28 Poet Adrienne Su
When working on my last book of poems, Peach State (2021), I often wrote my way to the kitchen: writing about a dish made me want to cook it. These days, I’m cooking my way to the proverbial typewriter. I read about food. Then I cook something I’ve read about, and the process nudges me to fill a page.
Review: Kittentits
By HOLLY WILSON
Reviewed by OLGA ZILBERBOURG
Molly is a badass. Obvious, isn’t it, from the novel’s title? Kittentits. That’s her, Molly. She’s a motherless white ten-year-old kid, living in Calumet City, Michigan. It’s 1992, and she’s obsessed with attending the Chicago World’s Fair, about to open downtown.
Before she gets there, Molly comes to idolize a woman who tried to kill her conjoined twin; runs away from home to Chicago’s South Side neighborhood of Bronzeville; meets an elderly polio patient living inside an iron lung who gives séances; and befriends an African-American ghost boy and artist, Demarcus. Together, Molly and Demarcus hatch a plan of necromancy to commune with the ghosts of their dead mothers. They camp out at the Fair for weeks, waiting for New Year’s Eve to perform the ritual.
Holiday Reads 2024
What We’re Reading: December 2024
Curated by SAM SPRATFORD
If you’re in need of a deep breath amid the holiday frenzy, look no further. This month, Issue 28 poets and longtime TC contributors OLENA JENNINGS and ELIZABETH HAZEN bring you three recommendations that force you to slow down and observe. Hazen’s picks provide an intimate window into the paradoxical, tragic, and sometimes ridiculous characters that inhabit our world, while Jennings’ holds up a mirror to readers, asking them to meditate on the act of viewing itself.
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Chantal V. Johnson’s Post-Traumatic and Kate Greathead’s The Book of George; recommended by Issue 28 Contributor Elizabeth Hazen
Typically, I have a few books going at once, and I am almost always at the very least reading one physical book and listening to another. Often, the pairings reveal interesting connections, and my most recent reads—Kate Greathead’s latest, The Book of George, and Chantal V. Johnson’s debut, Post-Traumatic—did not disappoint.
Both books are contemporary, the former out just this October, the latter in 2022, and feature protagonists who are deeply flawed but trying to figure out who they are. They hail from starkly different backgrounds, though, and this determines the starkly different difficulties they encounter as they navigate adulthood.
What We’re Reading: November 2024
Curated by SAM SPRATFORD
With the holidays coming up, many of us turn to books for company on cold nights, or a respite from the stress of the season. If you’re craving an escape into the world of ideas, look no further! This month, our contributors DOUGLAS KOZIOL, CARSON WOLFE, and ANGIE MACRI deliver an eclectic mix of nonfiction and poetry recommendations sure to satisfy and inspire the curious reader.
Nick Pinkerton’s Goodbye, Dragon Inn; recommended by Issue 28 contributor Douglas Koziol
Tsai Ming-liang’s 2003 film Goodbye, Dragon Inn is, in one sense, an elegy to a type of moviegoing no longer possible. Set in a single-screen Taipei theater on its final night, as it plays the 1967 wuxia (a Chinese martial arts subgenre) classic, Dragon Inn, to a handful of people, it would be easy to read the film as overly sentimental or nostalgic. But Nick Pinkerton resists this temptation in his book on the film, which treats the concerns of Goodbye, Dragon Inn with a wonderfully discursive and prismatic critical eye.
What We’re Reading: October 2024
Curated by SAM SPRATFORD
This month, our online contributors CHRIS JOHN POOLE, JULES FITZ GERALD, and LAURA NAGLE recommend three inventive, deeply human books with stories that traverse two oceans—from Japan, to Mexico, to Norway.
Fernanda Melchor’s This Is Not Miami (trans. Sophie Hughes); recommended by TC Online Contributor Chris John Poole
In her author’s note to This Is Not Miami, Fernanda Melchor writes that “to live in a city is to live among stories.” The city in question is Veracruz, Melchor’s birthplace, a city of cartel violence and political corruption; ritual magic and cold, hard truth. Veracruz’s stories, meanwhile, are those which are gleaned from—and imposed onto—its grim realities.
The stories in This Is Not Miami are crónicas, a genre with no direct equivalent in the Anglophone canon. Crónicas mix reportage and fiction, in a manner akin to gonzo journalism. They favour subjective accounts and firsthand experience over hard data and rigid chronology. Melchor’s crónicas collate rumours, folk myths, and personal narratives, injecting reportage where necessary.
Review: The Extinction of Irena Rey
By JENNIFER CROFT
Review by CHRIS JOHN POOLE
At first, the autobiographical roots of The Extinction of Irena Rey seem simple to trace. This is a novel by writer-translator Jennifer Croft, who works in Spanish and Polish; its protagonist is a Spanish writer-translator. This is a novel from the acclaimed translator of Olga Tokarczuk’s Flights; the eponymous Irena Rey is a Polish literary megastar. This is a novel from a staunch advocate for translators’ visibility; its eight main characters are all translators who seek—and perhaps supplant–their elusive muse.
Yet it is the very abundance of extratextual parallels that makes it so difficult to situate Croft within her text. Unlike Croft’s debut Homesick, a hybrid novel-memoir, The Extinction of Irena Rey provides no single stand-in for its author; instead, a network of interlinked characters echo Croft’s own life. From the novel’s tantalising biographical parallels, countless questions arise: is Irena Rey modelled on Tokarczuk or Croft? Is protagonist Emilia a self-insert, or a novel creation? Ultimately, it seems, these characters are hybridisations of Croft and her influences, as within this novel the lines between self and other, like those between truth and fiction, begin to blur.
Friday Reads: October/November 2023
Curated by OLIVE AMDUR
As this week of costumes, candy, and spooky Halloween cheer comes to an end, we at The Common are gearing up for the launch of our fall issue! Issue 26—full of vivid poems and prose from all over the world, as well as a special portfolio of writing and art from the migrant farmworker community—launches this coming Monday. After a brief Friday Reads hiatus, to get you excited about the issue, we return this month with recommendations from Issue 26 contributors Ned Balbo and Nora Rodriguez Camagna. Keep reading to see what’s been on their shelves this fall!
Friday Reads: July 2023
Curated by SOFIA BELIMOVA and OLIVE AMDUR
The fireworks have finally quieted down, but July has just begun to heat up! Whether you are looking for a book to help you forget the hot weather or a book filled with just as many vivid sensations as the summer season is, keep on reading. In this month’s Friday Reads feature, three of our interns recommend dynamic stories about the nightclubs of the Midwest, a boarding school in coastal Rhode Island, and the tangled relationships of a young person’s body and spirits.









