All posts tagged: Translation

Disappointments (and a Few Clarifications)

By BASMA AL-NSOUR

Translated by ANDREW LEBER

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My life would have been a lot easier if only my grandmother had not been a liar. Or, to put it more nicely, if she hadn’t been so imaginative on that winter night when she convinced me that she would never leave me. If she had informed me that she would die, then I wouldn’t have become so naïve. I’m not sure my story is all that important, or whether I even have a story in the first place—at the end of it all, I stand a defeated woman, one who has faced disappointment again and again. But that’s not important now. The important thing is how that woman spoiled me completely.

Disappointments (and a Few Clarifications)
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Yunus on the Beach

By HASSOUNA MOSBAHI

Translated by WILLIAM M. HUTCHINS

 

The world was still, and Yunus felt alone in existence. He walked along the shore beneath a sky studded with stars. It was his birthday, and he was finally returning home, after his drinking buddies had departed one by one. What was the essence of his solitude? A void and waiting… waiting for what? The end that no one can escape. All he could hope for was that the end be without pain or suffering, as if he were sleeping, roaming the seashore, leafing through a book, listening to one of his favorite symphonies, lost in thought, or recalling memories from his happy past.

Yunus on the Beach
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Just Different

By MALIKA MOUSTADRAF

Translated by ALICE GUTHRIE

Avenue Mohammed V is silent and desolate this late at night, empty apart from a few stray cats meowing like newborn babies; it’s a creepy sound. Then a she-dog ambles up, stops in front of me, and raises her tail at a black male dog limping past. A single bark of seduction from her and he’s mounting her. They’re cleaved to each other, clinging on, and she shuts her eyes in ecstasy, surrenders to his movements. A delicious tingle runs through me. How lucky they are! They do it in public. They’re shameless—as the saying goes, “Not only God sees them but his servants do too.” They don’t have to worry about a police patrol, or about what people will say.

Just Different
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A Few Moments After Midnight

By HISHAM BUSTANI

Translated by THORAYA EL-RAYYES

To Alaa’ Tawalbeh

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An extinguished cigarette is suspended between my fingers. I don’t know who put it there, but I feel worms moving inside it. When I look at them I imagine I’ve seen them before, tens of small bodies—identical, without any features.

The cigarette is a large worm ingesting and regurgitating the smaller worms inside it. They slither into my mouth, filling my lungs, and after a short, loud party there, they begin to flow with my blood.

I don’t know why I felt compelled to jump from the third-floor window. I don’t know where that tree shot out from on my way down. And I don’t know what made our neighbor go outside to hang her laundry at the moment that I fell. I don’t know why I imagined that I died when I collided with the ground. I was happy at that moment of collision; I closed my eyes tight and slipped into something like a delicious nap.

It took only a few moments until I heard our neighbor scream and realized something was wrong. I hadn’t really died; I could still hear the honking of cars driving by.

When I stood up and dusted off my clothes, the crowd surrounding me started to back away. Maybe I scared them. I heard one of them tell another, with fear in his voice: “There are worms coming out of his nose.”

“They are not coming out,” I corrected: “they are spilling.” I left them and walked up to my apartment.

 

A Few Moments After Midnight
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The Hush Void

By MOHAMMED KHUDAYYIR

Translated by ELISABETH JAQUETTE

You may wonder how old this sleepless face is. You may put him to bed in a long-gone mountain garden. Or revive him in the gardens of years to come, centuries from now. That’s where I live, in a dimension unseen by your future eyes, where feather-light cars drive by, and words freeze in the air.

This face appears on the other side of the table from me, in a bar suspended at three hundred meters. We sip our drinks in their feather-light glasses: neither raising them up nor setting them down nor clinking them together makes a sound to be heard. We hear no motors grinding or jet engines screeching on the trails wrapping around the mountain lodge. We are immersed in what scientists call the hush void, a space of near-utter silence. Here, voices fall mute when they pass beyond the scant inches of one’s hearing range. In the hush void, words can always be heard by the ears of the person meant to hear them. But if they escape beyond the void, into the vastness below, even a softly-spoken syllable could set off an avalanche in a solid rock face.

The Hush Void
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Minouche

By ANIS ARAFAI

Translated by RUTH AHMEDZAI KEMP

They were first brought together digging up other people’s trash, trying to keep starvation at bay. And since that first encounter at the public dump on the outskirts of Marrakech, the two were inseparable.

Abbas gave him the name Minouche and saw him as the son he had never had. Abbas, whose mind was addled with the blind fog of hashish and such obscene quantities of alcohol as would have been enough to wipe out an entire building, was also a bohemian painter whose days blustered by in anxious gusts.

Minouche
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Statement of Absolute Hatred

By RASHA ABBAS

Translated by ALICE GUTHRIE

Your games are upsetting; they always seem like they’re going to end in tears. Like this one you’re playing right now, for example—I’ve just woken up to find myself blindfolded, with my hands tied to the chair I’m sitting on. I don’t like it at all. But I’m smiling at you anyway, expecting you to come toward me. I’m only smiling because I’m frightened that if I don’t you’ll sense how weak I am and do me even more damage.

The muscles stretching this desolate smile across my face are cramping now, and I give up; I’m going to call out for you, even though I know it means I’ve lost.

Statement of Absolute Hatred
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Fatal Dreams

By WAJDI AL-AHDAL
Translated by WILLIAM M. HUTCHINS

1

When the boys playing ball saw the fancy automobile approach, they stopped their game and fixed their eyes on these strangers visiting their neighborhood.

Shepherded by her husband, Ali Jibran, Tha’ira descended from the Mercedes in front of a dilapidated three-story building. They left the driver in the car to wonder what could have brought them to the most renowned center for Qur’anic healing in the city.

The couple disappeared through the low entrance, which was enveloped in shadowy gloom. Their driver took a deep breath and replaced the cassette of Qur’an recitations by al-Qariti with a cassette of songs by the singer Ali al-Anisi. He pulled a pack of cigarettes from under his seat. With intense satisfaction he began to smoke and sank into delightful daydreams.

Fatal Dreams
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