The Children’s Wing

By MARIA TERRONE

Not a place to take flight but where downy-skinned
children can sometimes heal like fallen sparrows

in a shoe box, a place I found myself at nine,
concussed.       The child in the rail-rimmed bed

was crying out in the night,
his stuffed toy fallen beyond reach,

and pretending to sleep, I felt his bottomless sorrow
as my own.       Please pick it up

over and over begged the child of perhaps four years,
a cry unheard until the nurse arrived

at last. Not his mother, I thought, but surely
like her. Instead a woman

who bent over the boy, growling
Shut up, shut up or I’ll give you the needle

until his pleas ended with a whimper,
O.K., but can you pick it up?—

a scene that knocked my view of the world
askew. Suddenly I was bereft—of what

exactly, I didn’t know, but crushed
by inexpressible loss. Poor dumb witness.

 

 

[Purchase Issue 14 here.]

 

 

Maria Terrone’s poetry collections are Eye to Eye; A Secret Room in Fall (McGovern Prize, Ashland Poetry Press); The Bodies We Were Loaned; and a chapbook, American Gothic, Take 2. Her work has appeared in magazines including POETRY and Ploughshares and in more than twenty-five anthologies.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

The Children’s Wing

Related Posts

Caribbean picture

Self-Portrait in The Caribbean

PAOLA ASSAD BARBARINO
Sometimes I am emboldened, / I decide to stand in the people’s balcony / I decide it is Maundy Thursday I decide to place a priest behind me that can speak to the people behind / my back / I decide to put out the fire and light my throat / scream

Feltspade

ELIAS SADAQ
I serve out my conscription / sleep in a bunk bed / for four cold months / in the engineer regiment at Skive Garrison / in a room with three other men / I fuck the colonel / the only sign that time is passing / is a pile of snow outside the window / that grows smaller

Book cover of Fifty Mothers

Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani

PREETI VANGANI
With vignettes, I could plumb its narrative arc to become a force propelling the book forward. It also felt haunting yet warm that the mothers kept reappearing throughout the life of this grief. That repetition created a chorus of voices that angers and despairs, yet cradles the speaker.