The New Inexpressible

By PHILIP NIKOLAYEV

1

the inexpressible isn’t that which cannot
be expressed but that which will fall
expressed upon deaf eardrums meet with
sightless eyes centerfolded even
or on the front cover it will escape notice
and upon the face itself remain undetected
because mere expression isn’t all it takes
to be detected to be reasonably considered
expressed to others brothers sisters cousins
or indeed a disinterested passerby
hiding all in plain sight and only the fool thinks
no wait the fool does not even think that
no mystery is gone missing from his equation
a haze of sadness covering what is truly true

2

The if-clause and the when-clause and the which-:
I’m lost in their switchbacks and crossing loops,
a transit train hurtling toward a ditch
past all commercial ventures and co-ops.
In this swift life, there’s no time to compute
the likely outcomes, lay no claim to that.
Suck it up and commute, commute, commute.
Communicate no note that you cannot.
Language is tiresome, ultimately, as such;
even more so are its alleged limits. Wish
for no abodes of words. In flocks they swish
in multitudes away, and no research
will ever reconstruct the radiant soul
out of the linear windings of the scroll.

 

Philip Nikolayev is a poet, literary scholar, and translator from several languages. His collections include Monkey Time (winner of the Verse Prize) and Letters from Aldenderry. New volumes are forthcoming from MadHat in the US and from Poetrywala and Copper Coin in India. He lives in Cambridge, Massachusetts, and is coeditor-in-chief of Fulcrum: An Anthology of Poetry and Aesthetics.

[Purchase Issue 21 here.]

The New Inexpressible

Related Posts

heart orchids

December 2024 Poetry Feature #1: New Work from our Contributors

JEN JABAILY-BLACKBURN
What do I know / about us? One of us / was called Velvel, / little wolf. One of us / raised horses. Someone / was in grain. Six sisters / threw potatoes across / a river in Pennsylvania. / Once at a fair, I met / a horse performing / simple equations / with large dice. / Sure, it was a trick, / but being charmed / costs so little.

November 2024 Poetry Feature: New Work from our Contributors

G. C. WALDREP
I am listening to the slickened sound of the new / wind. It is a true thing. Or, it is true in its falseness. / It is the stuff against which matter’s music breaks. / Mural of the natural, a complicity epic. / The shoals, not quite distant enough to unhear— / Not at all like a war. Or, like a war, in passage, / a friction of consequence.

Caroline M. Mar Headshot

Waters of Reclamation: Raychelle Heath Interviews Caroline M. Mar

CAROLINE M. MAR
That's a reconciliation that I'm often grappling with, which is about positionality. What am I responsible for? What's coming up for me; who am I in all of this? How can I be my authentic self and also how do I maybe take some responsibility?