Uwi

BY DANABELLE GUTIERREZ 

 

Uwi verb
to go back to your residence.

One word, meaning to return,
not just anywhere, but home.

I wonder how often the ancestors
had to leave, had to go, had to work,

had to travel on foot, had to climb down
mountains, had to walk across rice fields,

had to sail, across islands, across continents,
for miles, for years—for this word to be invented.

I was seven years old when we moved to Cairo,
I remember scribbling notes to my mother saying:

Uwi na tayo, let’s go home. My mother,
sentimental, kept the notes, I look at them

now, I wonder what home? Which one?
The rented apartment, Muscat, Dubai,

Vienna, where my mother is, or inang-bayan,
the country I am from, but barely know,

I wonder how often the ancestors
had to reassure the ones who left, said:

It is okay. Go, explore, work, adventure,
have fun. And when you’re ready, when

you are done, kahit gaano kalayo, kahit
gaano katagal, may uuwian ka. Here is home.

 

Danabelle Gutierrez is a writer, actress, and photographer. She is the author of poetry books I Long to Be the River and & Until the Dreams Come and chapbooks Eventually, The River Surrender, and Softer. Born in Las Piñas and raised in Cairo, Vienna, and Muscat, Danabelle is currently in Dubai, where she lives, loves, and writes.

[Purchase Issue 22 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Uwi

Related Posts

Map

By MARIN SORESCU trans. DANIEL CARDEN NEMO
If I see the ocean / I think that’s where / my soul should be, / otherwise the sheet of its marble / would make no waves.

A sculpture bunny leaning against a book

Three Poems by Mary Angelino

MARY ANGELINO
The woman comes back each week / to look at me, to look / at regret—that motor stuck in the living / room wall, ropes tied / to each object, spooling everything in. She / comes back to watch / what leaving does. Today, her portrait / splinters—last month, it was only / askew

Aleksandar Hemon and Stefan Bindley-Taylor's headshot

January Poetry Feature #2: Words and Music(ians)

STEFAN BINDLEY-TAYLOR
I am sure I will never get a name for the thing, the memory of which still sits at a peculiar tilt in my chest, in a way that feels different than when I think of my birthday, or my father coming home. It is the feeling that reminds you that there is unconditional love in the world, and it is all yours if you want.