What the Sea Brings

By KELWYN SOLE

 

Don’t trust any harbour. Already
those reflections that match each boat
turn restless, yearn to fracture:

each wave beyond the quay dishevels.

I who have no instinct for bad weather
—scudding wind, nor gale—turn
to watch a late evening ditching sun

that gasps lunges out to drown

in tides of creels lost, and plastic bottles.
You contrive strong, dark fingers
through your hair. Time to head home:

beside you there’s me and a nervous sea

bereft of the small white globes of gulls

now trying to outrun dark. A door shuts.
We’ll pass our time in tepid rooms
that dissemble light: making dinner

then making love till we lie

in tandem, fork to spoon. Who
cannot guess which one of us
will take their sleepless turn tonight
to part the curtains, start, to see

unblinking stars begin to swarm
suddenly implacable as bees
above the black void that was sea.

 

 

Kelwyn Sole is professor of English literature at the University of Cape Town and guest-editor for Issue 04. 

Click here to purchase Issue 04

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

What the Sea Brings

Related Posts

Self-Portrait in The Caribbean

PAOLA ASSAD BARBARINO
Sometimes I am emboldened, / I decide to stand in the people’s balcony / I decide it is Maundy Thursday I decide to place a priest behind me that can speak to the people behind / my back / I decide to put out the fire and light my throat / scream

Feltspade

ELIAS SADAQ
I serve out my conscription / sleep in a bunk bed / for four cold months / in the engineer regiment at Skive Garrison / in a room with three other men / I fuck the colonel / the only sign that time is passing / is a pile of snow outside the window / that grows smaller

Book cover of Fifty Mothers

Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani

PREETI VANGANI
With vignettes, I could plumb its narrative arc to become a force propelling the book forward. It also felt haunting yet warm that the mothers kept reappearing throughout the life of this grief. That repetition created a chorus of voices that angers and despairs, yet cradles the speaker.