a good thing/found

By brittny ray crowell

 

         prepare yourself 
         for entry

prime yourself to be stripped
         like something ripe 
and swaddled in soft velvet
never mind how the skin feels

peeling
         the body will yield 
remember you are claimed for 

this plucking    
         open yourself 
         make way for whatever may bloom

you are ground 
you are soil
you are earth

that makes men’s hands
         black from hard work 
you are fostered

         by roots/fortified by bone 
and the filth of dying
never mind the blood 
         left behind
yield to me/something new

prepare yourself for planting
take what you are given and shit
         for me a diamond/splinter

yourself into a head of white petals/i want to see 
         the flowers crowning
i want to see/your lips
         splayed like an orchid’s skull

give me something 
to admire/give me something  
         i can name/after

the way/a body 
          splits/like the edges
of a maple leaf rotting/give me something

my love/can suture 
         give me some
thing i can claim 

 

brittny ray crowell is a native of Texarkana, Texas. She is the recipient of a Donald Barthelme Prize in Poetry and The Lucy Terry Prince Prize, judged by Major Jackson. Her poems have been published or are forthcoming in Ploughshares, Frontier, The West Review, Mount Island, Aunt Chloe, Copper Nickel, The Journal, and the anthology Black Lives Have Always Mattered. She is a teaching assistant and PhD candidate in creative writing and literature at the University of Houston and a poetry editor for Gulf Coast.

[Purchase Issue 22 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

a good thing/found

Related Posts

Image of a tomato seedling

Talks with the Besieged: Documentary Poetry from Occupied Ukraine  

ALEX AVERBUCH
Russians are already in Starobilsk / what nonsense / Dmytrovka and Zhukivka – who is there? / half a hundred bears went past in the / direction of Oleksiivka / write more clearly / what’s the situation in Novoaidar? / the bridge by café Natalie got blown up / according to unconfirmed reports

A Tour of America

MORIEL ROTHMAN-ZECHER
This afternoon I am well, thank you. / Walking down Main Street in Danville, KY. / The heavy wind so sensuous. / Last night I fell- / ated four different men back in / Philadelphia season lush and slippery / with time and leaves. / Keep your eyes to yourself, yid. / As a kid, I pledged only to engage / in onanism on special holidays.

cover for "True Mistakes" by Lena Moses-Schmitt

Giving the Poem a Body: Megan Pinto interviews Lena Moses-Schmitt

LENA MOSES-SCHMITT
I think sometimes movement can be used to show how thought is made manifest outside the body. And also just more generally: when you leave the house, when you are walking, your thoughts change because your environment changes, and your body is changing. Moving is a way of your consciousness interacting with the world.