By MARIE-HELENE BERTINO
It had been three months since the breakup and Emily was reclaiming relationship landmarks. She arranged to meet her date at what had been her and Marcelâs second-favorite cafĂŠ. The forecast was rain. A pear-colored umbrella hung over the chair where Emily sat wearing a pear-colored skirt, drinking water and breathing. On a tree outside, two birds chased each other. It was a pursuit whose rules seemed to change at the end of each branch, when, with pointed tweets, the birds would reverse, the chaser becoming the chased.
Next to her, a voice said, âEmily.â
She was still looking out the window, so it was to his reflection that she bid hello before turning to the actual man.
âThese reminded me of you,â he said, holding out a sleeve of daffodils. âCheerful.â
âMarcel.â She placed her nose amidst the yellow heads and breathed. âHow considerate and thoughtful.â He was not wearing jeans. She looked at his pants, where normally his cell phone perched, glowing. âNo phone?â
He pulled his suit jacket aside to reveal an unencumbered waistline. â¨âI left it at work. Answering your phone at the table is classless.â He sat down. âTell me about your day. Leave nothing out. Did you interview anyone who reminded you of a childhood memory youâd like to share?â
Emily was a writer for Clef, a magazine for classical music aficionados. She had spent the day learning how a cello is made. âNot unless I was a cello when I was young.â
Marcelâs smile cracked. âI donât follow.â
âA joke,â she said.
âFascinating.â
The waiter appeared. Marcel did not rush to order for himself but instead motioned to Emily. âWhat would you like, Buttercup?â
She ordered quiche. He said what a great idea quiche was, then ordered the same.
The waiter had a Southern accent. âIâm from the South, too!â Emily clapped. âWhere are you from?â
âMacon, Georgia,â the waiter said. âYou?â
âNew Jersey,â Emily said. She handed her menu to him and he retreated, looking confused.
Emily slid her hands over her head to smooth any stray hairs. âYouâve never called me âButtercup.ââ
âYouâre bright. Like a buttercup.â His smile opened. Not a grin, not biting. âIâm cutting down my hours at the gallery because my job has made me careless and impatient. I would have been a better boyfriend had I considered â¨you more. I looked in the mirror, Buttercup, and I didnât like what I saw. â¨Do you think itâs possible to self-renovate? To self-correct?â
âHow I do,â said Emily.
This Marcel did not put his hand between her legs. He did not glare at the family seated next to them, whose child had climbed onto the windowsill to yell âWater!â and âGladys!â
The quiche came. They ate the quiche. They made comments to each other about the quiche as they ate it.
He said, âLetâs have a farm of children.â
Emilyâs mouth was full. âLoad me up.â
âIâll commute to the gallery. Youâll tend our brood. Weâll have corgis. â¨A farm of children and corgis.â
Emily paused, mid-chew. âYou said people today use their dogs like â¨designer handbags.â
âIâve been too judgmental about people and their dogs.â
Emily stabbed her quiche. âFood for thought, I guess.â
A woman passing their table said, âEmily?â It was Willa, a childhood â¨friend. She beamed at Emilyâthen, noticing Marcel, blinked several â¨times in shock. âWhat are the two of you doing here? Marcel, are you â¨wearing a suit?â
Emily cleared her throat. âWhat brings you here?â
âDropping off a table.â
âAnother Willa gem, Iâm sure,â said Marcel. âSomeday you will teach me to restore furniture. Stripping an old bureau to uncover its original wood sounds like heaven.â
Willa looked suspicious. âYou said it was glorified trash-picking.â
Emily laughed. The child at the table next to them yelled âGladys!â
Willa said, âThat kid must be driving you batty, Marcel.â
âOn the contrary. Emily and I were discussing the farm of children â¨we want to have. And corgis.â
Willaâs eyebrow jolted toward the ceiling. She turned to Emily. âCome see my table.â
âI donât want to leave Marcel. . . . â
âButtercup. See the table.â
Emily followed her friend to the empty dining room in the back. â¨When they were out of earshot, Willa turned and, in a calm voice, said, âWho the shit is that?â
âMarcel, of course.â
âI thought he defriended you!â
Emily winced.
âMarcel doesnât wear suits,â Willa said.
âHe looked in the mirror, and he didnât like what he saw.â
Willaâs mouth twisted as if it contained a piece of candy she didnât trust. âMarcel doesnât look in the mirror.â
âPessimist,â Emily said. âDour!â
ââButter,ââ Willa said, ââcupâ?â
Emily faltered. âHeâs more of an idea, I guess.â
âEmily! What are you doing? Having dinner with an idea?â
âIâm just eating quiche.â
Willa used Emilyâs elbow to steer her to the door, where they could see Marcel, hiding his face from the Gladys kid behind a napkin. He showed it, hid it, then showed it. The Gladys kid yelled, âPeekaboo!â
âThat is not Marcel.â Willaâs voice was sad, as if it held a wounded bird. âSome things canât be refurbished.â
Emily cleared her throat. âWhere is the table?â
âThere is no table.â
They rejoined The Idea of Marcel. Emily sat down and Willa left.
âEverything copacetic, Buttercup?â
Now the name seemed forced, childish. So did the flowers.
The quiche was gone, and Emily did not want dessert, but he did not intuit her desire to leave. He ordered an after-dinner liqueur the color of turkey breast. As he sipped from it, she crossed her legs and re-crossed them. âWhere is the real Marcel tonight?â
He twisted his napkin. âOut and about?â
They sat for a moment in silence.
âHeâs with another woman,â she said.
He nodded. The force of this upended her heart. It swiveled and came to rest.
Emily said, âShe probably likes soccer more, and pubs.â
He did not seem to want to co-conspire. âWhy are you with me, if you â¨still think about him?â
âBecause I want to be with you. You.â Emily spoke with the aggression of someone who was no longer certain.
âI find talking about an ex during a date to be bad form.â
Emily thought of her first dinner with the real Marcel, here, at this table, in this cafĂŠ. He told her about his previous girlfriend in such detail they both cried. He had been honest and vulnerable and ratty and present and fucked up and attainable. He told a joke about a gynecologist and pretended to use his fork as a headlamp.
The check came. The Idea of Marcel paid, and they sauntered to the street like first dates.
âIâll walk you home,â he said. âIâll follow you up the stairs to your immaculate and tasteful apartment. Weâll play jazz LPs and say our opinions about them. Letâs start now. John Coltrane versus Miles Davis: go.â
âCome off it,â she said. âYou hate jazz.â
âThen I will call you tomorrow. I wonât be able to get through twenty-four hours without hearing your voice.â
It was a line that sounded better in her mind. âI feel like scrambled eggs,â she said.
He didnât understand. âWe just had quiche.â
âI mean my head feels like scrambled eggs. Iâd like to go home, have â¨a cup of tea.â
âGreen tea with honey is my favorite,â he said.
âNo,â she sighed. âItâs not.â
The rain fell so hard it made the leaves clap. Emily walked to where she knew he would be, amidst the applause.
What was a friendship, anyway? A pile of leaves and some twine. A dinner every so often. Every so often, a long, shattering phone call. By defriending her, Marcel was saying: You are not worth my every so often. This bothered Emily more than the fact that she would never again smell like his soap.
She reached CafĂŠ Diabolique, their favorite. Marcel and his date sat by â¨the window. Emily was grateful for the camouflage of her umbrella so she could watch them from across the street. Seeing his face after months was like â¨seeing a celebrity in her local grocery store: familiar and startling. He wore jeans and an Iron & Wine T-shirt. He had always listened to the music of a more sensitive man; she had let several relationship cruelties slide â¨because of it.
The woman looked familiar. For a moment, Emily mistook her for a mutual friend and prepared to get gorilla earthquake crazy. Then she realized who it was.
It was her. Her her. Emily her. Marcelâs Idea of Emily.
Emily said âHa!â out loud. Proof: He still thought of her. She could go home now and sleep, eat, brush her teeth.
At first glance, the other woman was an exact replica. Yet, as Emily looked closer, small differences emerged. This womanâs long hair was gathered in â¨a loose ponytail. Soft strands fell in her face.
âGet a barrette!â Emily said.
This woman wore a black T-shirt with a bandâs insignia that Emily stepped in a puddle attempting to read.
Marcel was telling a story. He was no doubt expounding on his favorite topic: negative space, how what was not there was as important as what was there. The other woman listened with what looked like rapt attention.
The check came. Marcel in the restaurant and Emily on the street said, â¨âWe didnât order this!â The other Emily laughed like it was funny. She produced a credit card, but Marcel wouldnât hear of itâthis was obvious in his wagging-head, hand-slicing-through-air, No!
So there is a woman on earth he will pay for. Emily sniffed. This woman is nothing like me! I would never wear a band T-shirt on a date! Me, she reminded herself. This me. In front of her, the streetlight clicked to green. â¨It hit her: Marcel was not having dinner with his Idea of Emily, but the Emily he wished she was. His Ideal Emily. The Emily that Emily had spent four years convincing herself did not exist. Sure, Emily had conjured up an Idea, but an Idea was at least based on reality. An Ideal is wishing beyond reality. â¨At least thatâs how it seemed to Emily. She was confused and miserable and wet. â¨She needed a cup of strong tea and a pad of graph paper to figure this night out.
Rain slipped off her umbrella and landed at her feet in large gasps. She envied her umbrella, because it knew its job and because it felt no pain. Because it had never dated Marcel and because it didnât have to go around being human, pricing produce and feeling emotions. Because it had never fallen in love with â¨the South.
Marcel was from Louisiana, so, for four years, Emily had been Southern â¨by association. She insisted on Lynchburg Lemonades. She scheduled inter-views around the Gators. She championed gentility. Anyone at a dinner â¨party who thought they could tell a joke making fun of the region â¨encountered a faceful of Emily: quick and ferocious as a convert, as a woman who loved a man.
Emily now had no claim to the South. The region and its interests would proceed without her. Same went for Swiss cheese, drafting tables, being hypoglycemic, the movie Breakinâ, and all of its sequels.
She looked back to the couple in time to see a picture she recognized: Marcel before a kiss. He straightened his shoulders and drummed his knees.
Across the street, the real Emilyâs breath halted in her throat. She reached for anything that would stop the moment: a button to summon the WALK signal. She pushed and pushed.
Marcel leaned over the table to kiss the (WALK!) woman who also leaned in and (WALK!), before their lips met (WALK! WALK! WALK!), pulled away.
âHa,â he said. A word easily gleaned through glass.
Emily narrowed her eyes. âTease.â
The Ideal Emily anchored her falling hair behind her ear again in, Emily had to admit, a charming way. This woman laughed with her whole body. She made funny faces. Here was a girl you nickname: a soft fruit or a petite flying insect.
The moment was over. Marcel and the woman stood and vanished into the restaurant.
How dare he, thought Emily, invent this dime-store version of me in a band T-shirt! Emboldened by misdirected anger, the origin of which was muddy at best, Emily decided to cross the street and confront the couple.
The light was red. She waited for the WALK signal.
Marcel and the other woman reappeared, pushing through the front door of the restaurant. The rain had downgraded to a measly drizzle. Marcel held out his hand to test. Emily was halfway across the street. She was about to call out when the Ideal Emily jogged in place, yelled âCatch me if you can!,â and took off.
Marcel took off after her.
âBallstein,â Emily said. Since everyone was running, she ran, too.
âEmily!â Marcel cried.
âMarcel!â Emily answered, but her voice was lost in the sound of a â¨passing truck.
The Ideal set a fast pace, legs pumping and toned, ponytail beating behind her. The air was thick. The real Emily struggled to breathe, run, and hold her umbrella at the same time. How was chain-smoking, doughnut-eating Marcel doing it? She could hear his phone clacking against his hip a block away.
As she ran, Emily wondered what it would be like to have a slim pair â¨of scissors as legs. She thought: Hummingbird, dragonfly, peach, pear, mango.
The three-person chase moved down, then up, the street.
Finally: simultaneous DONâT WALK lights. The Ideal Emily, the â¨real Marcel, and the real Emily stopped on three different corners. Cars â¨flew by. The real Emily, stooping to catch her breath, heard someone â¨yell, âButtercup!â
A block away, The Idea of Marcel was waving the forgotten sleeve â¨of daffodils and working himself up to a jog.
âI canât wait until tomorrow!â he said. âI must know your opinions on jazz!â
âDouble Ballstein,â Emily said.
All lights turned green. All parties ran.
Emily, now pursued by The Idea of Marcel, chased after the real Marcel chasing after The Ideal Emily.
âEmily!â cried Marcel.
âMarcel!â cried Emily.
âColtrane!â cried The Idea of Marcel.
The only silent party was The Ideal Emily, jogging beautifully, breasts bouncing in a compelling way.
Wasp nest; horsefly; rotted, maggot-ridden banana.
The Idea of Marcel yelled, âButtercup! I will catch you if it takes all night!â
Like most strong women, Emily longed for a man to chase after her, screaming epithets of love. However, The Idea of Marcel ran like a giraffe, and his words sounded like they had been translated into Japanese and back to English.
âExhilarate!â he said. âBrilliant chase!â
Running, Emily rolled her eyes.
Ahead, holding the slim bar of a baby carriage, a mother waited to cross the street. The Ideal ran past, cleanly. The mother pushed her carriage into the path of the real Marcel, who jockeyed around it, lost his footing, yelled, âFuck, lady!â and kept running. The mother, disoriented, wheeled around into the face of the real Emily. Each dodged right, then left, then right, before Emily was able to shake her. She called out apologies as she sprinted away. When he reached the woman, The Idea of Marcel halted, escorted mother and baby across the street, then double-ran to rejoin the pursuit.
âChildren,â he cried. âGlorious safety!â
Finally, after reaching some personal landmark of fantastic, The Ideal Emily stopped, pivoted, and performed a pretty jog-in-place while â¨Marcel caught up. Gasping, the real Emily caught up, followed by The Idea of Marcel.
âEmily?â Marcel said, in disbelief. âWho the hell is that?â He pointed to The Idea, who used the base of a streetlamp to stretch his leg. âCapital night for a chase,â The Idea said.
âWho the hell is that?â Emily pointed to the other woman, who extended a dainty hand. âIâm Emily.â
âIâm Emily,â Emily corrected her.
âWe have the same name!â said the woman. âIsnât that bizarre?â
Marcel looked back and forth. Emily inspected her replacement, starting with the T-shirt. âFuck a duck. Led Zeppelin?â
âI adore getting the Led out!â cried the woman.
âWhy does she talk like an exclamation point?â Emily said.
Marcel lit a cigarette.
âI adore the smell of smoke!â
Emilyâs eyes widened. âYou made me dumb.â
Marcel said, âSometimes you were a lot to handle.â
âThis lady is weird!â said The Ideal.
Emily sucked in air. âIs that an accent?â
âIâm from Charlotte, North Carolina!â She made Carolina into an eight-syllable word:Â Ca-o-ro-ah-li-ah-na-uh. Then, she raised a knee to her chest and held it. âIf you slowpokes are going to argue all night, Iâm leaving without you!â With that, she took off again, jogging at a fast clip on a street that ascended in full view, so they could watch her run for what seemed to Emily like a long time.
On an inhale, Marcel said, âShe was a track star in college. She quit to pursue modeling.â
âShe can really haul,â Emily agreed.
âYou donât deserve her,â The Idea of Marcel advanced and stood next to his doppelgänger. To Emilyâs surprise, The Idea was inches taller. âShe deserves someone who appreciates her reticence to try new things. Who thinks experimentation in bed is overrated. Someoneââhe made a dramatic pose with his chinââwho will floss with her. Someoneââhe made fists and showed them to Marcelââwho will fight for her.â
Marcel squinted: his expression when he, mid-sell, stepped away from a painting to feign disinterest. âIs he serious?â
The Idea of Marcel wound up and landed a punch on Marcelâs gut. Marcel cried out in pain and looked to where he had been hit. He threw his cigarette into the street and rose to his tallest height: five-foot-eight in boots. A moment passed. The mother and baby rolled by, one of the wheels on the carriage wonky, making a cackling sound. After they passed, Marcel lunged at The Idea, who reacted like a rag doll and was thrown around as such. They ended up on their knees on the sidewalk, batting against each other like crabs.
Good gravy, thought Emily. Neither one can fight.
âBad thinking!â The Idea said. âAssistance, Buttercup!â
Emily was torn. She had always wanted Marcel to fight for her. To land a single, grounding punch on a sleaze at a bar. To be resolute and irrational on her behalf. However, enacted in front of her, she found the fight dramatic and unnecessary.
She said, âStop?â
The Idea of Marcel released the real Marcel with a final shove. âAnything you say, Buttercup.â
ââButtercup?ââ Marcel rubbed his arm in pain. âShows what you know. â¨She hates nicknames.â
âYou never tried,â said Emily. âAnd my name is so good for nicknames!â
âEm-press,â said the Idea. âEm and Em, Em-dash, Em-16.â
Emily said, âShut the fuck up, Marcel.â
Marcel added, âDickweed.â
The Idea stumbled backwards from the force of their synchronized rebuke. âI just want to self-renovate! Whatâs happening to my arms?â He held one up. It was dematerializing from the elbow to his fingers; 1, 2, 3, 4, 5. He held up the other, which was exiting the same way.
âCorgis!â he cried, as his thighs and belly vanished. His legs called it quits into the air. His neck sayonara-ed.
He was just lips. âBuuuuutttttttttteeeeeeeerrrrrrrcuuuuup.â Finally, â¨he was gone.
Marcel and Emily stared at the empty spot.
She said, âThis world is fucking crackers.â
Marcel grinned. âI missed your mouth.â He pointed up the street to where The Ideal Emily, still jogging to nowhere, flickered. A truck drove by. â¨Her specks dispersed. Her long ponytail winked, the last to go.
The Idea and The Ideal were dead, leaving two real people on the street.
Marcel pointed to Emilyâs umbrella. âYou donât need that anymore.â
She folded it. âThere are disturbing psychological elements afoot tonight.â
âYou can say that again,â he said. âI just fought myself and lost.â
Emily did not say it again.
âI would never wear a suit like that,â Marcel said.
He made a mean face. She made a mean face. This was something they used to do.
He said, âI call you by your name. The name your parents gave you. Because I like the name Emily, Emily.â
She said, âIf your ideal is . . . ââshe pointed up the street to where her replacement had vanishedââ . . . and I am . . . ââshe showcased herself with â¨her handsââ . . . and my idea of you is . . . ââshe raised her hand to indicate a height levelâ â . . . but you are actually . . . ââshe lowered her hand a few inchesââ . . . then doesnât that mean . . . ?â She sat on the curb and covered her face with her hands. âIâm tired,â she said. âI feel like scrambled eggs.â
Marcel sat next to her. âTeatime.â
She uncovered her face. He looked at her.
âYou are,â he said, âthe genuine article.â
Emily, alone, walked home. The rain had let up: earthworms and homeless people were back on the street. She handed a quarter to a woman who wagged her digits through fingerless gloves.
âYouâre an angel,â the woman said.
Emily said, âIâm just another person on the street.â
Emily passed the first cafĂŠ, where, four years earlier, she and the real Marcel had their first date. This nightâs reality felt so loose and carbonated that she was certain that if she peeked in, sheâd see them then, four years younger, bent over a piece of cake. Heâd be holding his fork out, in the middle of a joke. Sheâd be wondering if the metal clasp on his jeans was a button or a snap: would it require wrenching or just a quick, satisfying yank?
Let them talk, this Emily thought. She walked by.
A shattering inside and dull laughter.
Light over the trees, a few stars.
Marie-Helene Bertino is the author of Safe as Houses, a collection of short stoires that received the 2012 Iowa Short Fiction Award.
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