Sofia Belimova

Love, Under a Falling Sky

By MEGAN PINTO 

Say Chicken Little was right, that the sky 
is falling. What I want to know is,
will the moon fall too? Will it bounce softly 
like swiss cheese, or will it crumble
like a stale cookie? Do skies bruise? 
Do they ache? And is the sky
a metaphor for all the ills and evils 
of the world? A testament
to how the earth can only hold so much 
pain and grief? But why
would God send a chicken? Would you listen 
to a chicken? Is the chicken a metaphor 
for Jesus? Did the Bible mention this 
and somehow I missed it? Is this because
in 6th grade my teacher made me promise Jesus 
my virginity in a gift basket? Actually, if the sky falls,

Love, Under a Falling Sky
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Nothing More Human

By SURAJ ALVA

 

You are in a chamber, waiting for the bailiff.  

When he comes in, you wish you had been killed. Not your brother. 

The rusted scent of the metal chair you’re on reminds you of the smell of his blood on your hands, chest, and hair: sweetly pungent with a strong hint of iron. 

You start hearing his choked gurgles, see the blood spouting from his mouth. Smelling again the gunpowder-laced air between your body and his. The gurgling stops, his eyes close, and alarm strikes your throat numb, temporarily freezing your screams. His body begins to tremble, violently.

Nothing More Human
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Modern Gods

By JOHN FREEMAN

 

Backlit by the glow
from a small passageway,
he kneels into the fog
of yellow light,
head kissing the carpet.
I step around him,
respecting his privacy, when 
the mat becomes not prayer 
rug but builder’s tool,
a black piece of tarmac, laid down
before the bank so he could
peer close, fix the dead 
motion sensor so that people 
with money could 
be seen, all doors opening
for them.

Modern Gods
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The Way Cacti Quiver

By SARA ELKAMEL

 

I am beginning to think about the middle,
and how we should behave in it.

When I say you held me closer than clouds hold birds
you tell me it was coincidence we slept at all.

Of course I want it to stop. I dream every night of a man
with the head of a man and the body of a scary sea creature. 

I dream the man is lost so I carry him home. Of course
I mistake water for home and home for water but at least, I try. 

The Way Cacti Quiver
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Brother Love

By TANYA COKE

I.

Scrawny was my first thought. I’d babysat enough by then to place his age at just shy of a year. As my father handed him to me, the baby arched his back in protest, his chicken butt threatening to escape his diaper completely. I could tell that a man had fastened it, because the tape on the sides was all askew.

“Come, say hello to your brother,” Daddy said, smiling. 

Brother Love
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Notebooks of Maladies

By EMAD BLAKE

Translated by ELISABETH JAQUETTE

1—Idiot

The oldest boys in the neighborhood—“bullies,” as our Egyptian neighbors would say—chased that boy… chased me.  

I’d long been obsessed with watching Egyptian TV shows and films, sneaking into the cinema to see them because in our house it was forbidden… “forbidden, boy, to go there.ˮ According to my mother, grandmother, and the other women in the neighborhood, screens are the devil’s handiwork: they corrupt good boys and girls. Of course, they’re poor women, without an ounce of luck. 

Notebooks of Maladies
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The Infidel and the Devil

By MOHAMED BADAWI HIGAZI

Translated by ROBIN MOGER

 

Not many of us knew Sharif. He had been gone from the village for more than thirty years, and the few times his name came up, the person in question would glance around and lower their voice almost to a whisper. Men’s heads would cluster together in brief and hasty conference. And should his father, Sheikh Abdennabi Wadd Saleh, appear at the head of the alley and walk their way, or his mother, Hagga Amina Bint Suleiman, approach the store, they would fall silent or change the conversation. 

The Infidel and the Devil
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Perfectly Spaced

By LIESL SWOGGER 

Image of two girls dancing

They jog past my window. A clump of three white-haired men, a tight pyramid formation, the front two shoulder to shoulder, the third right on their heels. And I’ll be honest, my first thought is not charitable. “Fucking men,” I think, taking a swig of my coffee. “They never think the rules apply to them. Do they think they’re invincible?”

Perfectly Spaced
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Ode to the Floor

By SUFIYA ABDUR-RAHMAN

My boy is on the floor again. I’ve just told him he has to get in the shower, before dinner, after homework, after only five minutes of TV.

“What?” he protested in a drawn-out whine that contorted his face into a buskin tragedy mask before collapsing onto the floor. His body, prone and straight, swivels from side to side. He pulls his knees into his chest. Now he thrusts his feet down, then back, and almost behind him, as if doing a hamstring stretch. However he moves, thrashing, flailing, it is not vertical. To move up or around or about—even if stomping, even if screaming, even while crying out—would convey a sense of acceptance. “I don’t want to do what you ask, but I’m willing!” such a movement would say.

Ode to the Floor
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