In this episode of The Common’s Contributors in Conversation podcast, Issue 08 contributors Ishion Hutchinson and Jonathan Gerhardson read and discuss their poems “Trouble on the Road Again,” “Vers de Société,” and “Shy Mother.”
In this episode of The Common’s Contributors in Conversation podcast, Issue 08 contributors Ishion Hutchinson and Jonathan Gerhardson read and discuss their poems “Trouble on the Road Again,” “Vers de Société,” and “Shy Mother.”
By: ALISON PRINE
The opposite of losing you
was watching you across the purple light
of the dance floor in the local gay bar
while the salt trucks dragged through the streets.
By MATT SALYER
Check me on fleek like the night
kitchen mothers, pucker and hum some; come,
I like to liquor louche; let’s watch the flock
of spring-heeled bound as borough cabs
exhaust their carbon phantoms like a gauche
of fuck. Do you unzoo, unrouge
to rat as white, what roughshod? Do.
I want the carnal as straight metacognition,
In this episode of The Common’s Contributors in Conversation podcast, Issue 09 contributors Masha Hamilton and Lori Ostlund read and discuss their stories “God’s Fingernail” and “Leaving Walter.”
At The Common we’re welcoming spring with new poetry by our contributors. (Be sure to listen to the audio link to Megan Fernandes’ “White People Always Want to Tell Me…,” read by the author.)
By ZACK STRAIT
There is a dark blue bible in the nightstand, a pitcher and torch
stamped on the cover in gold. I rub this symbol
with my thumb and I am comforted, knowing another
man was in this room before me, just to
place his light here.
Once in a car, a good boy
shook me hard. If you like it
that way in bed, then why are you…
the tiny bruises on my arms
where his prints pressed into my pink
sleeves rose to the surface like rattles.
By U. S. DHUGA
No compunction, my physiotherapist
Exits, kale juice in hand, the Raw Chemist
With the swagger of a Neoptolemus
Who will lie to me, to you, to all of us
For the sake of winning what he mythifies
As our battle.
I found the Cyclops and his Galatea
in their shop on Piano Provenanza.
They’d been domestic for a while.
I’d gone for his wildflowers and Ragabo pines.
I’d gone for the wintry July breezes that
dilute the sulfur of his neighborhood.
I’d gone to see the roughened lava of
his searching, the obsidian of his instant grief.
I thought you were dead.
On your Facebook wall,
well-wishes and then nothing.
The mitosis of what if:
worries twirl and spiral
and settle into clock-cogs
which lock and jam.