By MARCUS MYERS
If our bodies are vessels, hers sailed away.
I am sunken eleven months deep, away from her
hazel eyes like aulos pipers for my oarsmen,
away from her
CLARICE
All his victims are women…
His obsession is women, he lives to hunt women.
But not one woman is hunting him—except me.
I can walk into a woman’s room
and know three times as much about her as a man would.
A starling catches me in a dress
and pierces my chest two times,
deeply, and I cannot blame her.
and then I remember the faint aching hiss of nitrous leaking from the tip of the siphon into the open mouth of me
a hit off the pressurized cream of me
in the darkened storage room round back of the restaurant of me
at twenty-one, the different sounds that rustled in me
freezer hum and thudding voices, conversation concentrate inside of me
who I used to be, was then and then and then: still me
I have read the report—inconclusive.
Yet, I know how much your brain weighs,
your liver, your heart. Your ordinary,
damaged heart. I know it by the gram.
I smell her—
she is in the bed sheets
conjuring aged summers
when popsicles stained
our mouths red,
and the sun colored
our noses black.
It is so late
it is early, and there, once again,
is that thrilling and disturbing bird
of dawn, its four notes,
one two THREE, four climbing
a little way up into the future
and back down, and once again
everything that’s mine is in a rental truck
or in the future.
By JAMAL ALDIN ALI ALHAJ
Translated by JONATHAN WRIGHT
It was early in the night, and the village was shrouded in darkness. The uneasy calm heightened the darkness, and he could hear the throbbing of the water pumps all the more clearly as they drew up the Nile water in concert with the moon, which kept out of sight on the grounds that the weather was poor. In this gloomy weather, which presaged an imminent storm, Humayda was battling the laws of nature all on his own.
He shook the reins and raised his whip to bring it down on his donkey’s back whenever he felt it wasn’t pulling the cart hard enough. The poor donkey looked as if it was pondering how it could ever pull the damned cart and where it would have to pull it to. Being away from home so long, beyond its usual working hours, also made the donkey somewhat confused. It began to twist and turn on itself. Its back leg held its body firm, like a stake stuck in the ground, while the donkey raised one front leg, anticipating digging it into the path to move forward.
By BINA SHAH
Shazmina’s best friend, Gul Noor, died on a Monday, pinned down under the wheels of a speeding bus on the long road that stretched all the way down to the beach. Or maybe it happened on a Tuesday or a Saturday. Shazmina was never sure about the names for the days of the week. Monday-Thursday-Tuesday-Wednesday-Saturday melted, one into the other, like the trickles of oily water the buses left in their wake.
The end of romance was what the teenage girl
was telling you about on a bench in the Jardin
in San Miguel de Allende, giving you T.M.I.,
but you realized she might need a Father who is not in heaven.
She gasps: Tinder is even sleazier in Mexico, how could it be
nostalgic? You listened, like your poems do when you write
them down in the cafes of Kerouac’s time here. You are Angelico
Americano with Instagram—troubled children of your own back home.
By SARA ELKAMEL
I am beginning to think about the middle,
and how we should behave in it.
When I say you held me closer than clouds hold birds
you tell me it was coincidence we slept at all.
Of course I want it to stop. I dream every night of a man
with the head of a man and the body of a scary sea creature.
I dream the man is lost so I carry him home. Of course
I mistake water for home and home for water but at least, I try.
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