Issues

Song of Almería

By JOHN POCH

Our bus downshifts cresting a hill,
and a partridge covey flushes into
the lit mist of the autumn noon, clouds
spilling over higher hills slow and white
like soft glaciers cut by massive stones
the size of fortresses, and just as cold.

Song of Almería
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Stepping Off

By RALPH SNEEDEN

“And we went on living it, like a wave, that doesn’t know
it is at every moment different water.”
—Alan Williamson, from “A Childhood Around 1950”

In 1967 I almost drowned when I wandered from a sandbar and dropped into a deep cleft. That particular summer on the Jersey Shore, my older sisters had taken to riding what seemed to be kind, propellant waves with the rafts our mother had rented near the boardwalk, the industrial canvas sort you couldn’t buy in a store. I wasn’t a confident swimmer yet, so my mother wouldn’t even let me near one, which made no sense; the rafts were oversized life preservers, after all.

Stepping Off
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Talmudic Lesson: God’s Smile

By ILAN STAVANS

There is one story that has always held a strange allure for me. It appears in Genesis 25:19 to 28:9 and is about Jacob’s theft of Esau’s birthright. Every time I read it, I feel haunted. In old age, a blind Isaac asks Esau, his oldest son, to visit him. He makes it understood that the end is near and asks Esau to gather food from the field and bring it back so he might be able to bless him.

Talmudic Lesson: God’s Smile
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Death of the Farm Family

By SARAH SMARSH

It was unlikely that Betty and Jeannie would end up in the country. They’d always moved within cities—Wichita, Chicago, Denver, Dallas—and neighboring small towns. And it was unlikely they’d stay for long. They first hit the road when Betty was a teenager and Jeannie a baby, and by the time Jeannie was in high school they’d changed addresses forty-eight times. In the late 1970s, though, they landed for a good while on a Kansas farm.

Death of the Farm Family
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Our Poor Perishable World

By BRIAN SHOLIS

In a photograph Robert Adams took northeast of Riverside, California, in 1982, serpentine paths lead toward the horizon line; it’s not easy to discern whether these are creeks, dirt trails, or roads. Human presence takes the form of wooden poles carrying electric wires, which stride diagonally from the bottom left of the composition toward the distance at right.

Our Poor Perishable World
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Bratislava

By MARY JO SALTER

So I’m still alive and now I’m in Bratislava.
That’s funny. I hadn’t expected to be alive.

A sign in italics nudges us at the station:
Have an amazing time in Bratislava!

That’s funny: a straight-faced wish, offered in English
and then Slovakian, posted above the trash can

Bratislava
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