Legion

By BORIS DRALYUK

        for Ange Mlinko  

Of C. H. Krumm—Charles Harrison, or Harry— 
a single trace remains on Catalina, 
so oxidized, so salt-worn I could barely 
make out the name. How many must have seen it 
while rambling from or trudging to the ferry 
and given it no mind, no second look? 
 
Lone lettered slat, corroded tongue depressor, 
marking the island’s only casualty 
of the Great War. I loitered, tried to guess at 
his last deployment: Château-Thierry? 
Had he been pierced, gassed, shattered in some lesser 
clash in No Man’s Land, or bitten dead like Brooke? 

I looked him up. A studio electrician, 
for some time he sold beachy curios— 
albums of sea moss, moonstones, flying fish wings— 
by mail. He never wore a doughboy’s clothes. 
Called up at twenty-nine, his home-front mission 
was to run power through a lumber mill. 

Dear Krumm, you cast your bread upon the water 
for no return, and caught your death of flu 
a month after the Armistice. A martyr 
like you too seldom gets his modest due. 
I’m on vacation in an age of slaughter 
and I salute you, having time to kill. 

 

[Purchase Issue 31 here.]

 

Boris Dralyuk is an award-winning translator and critic, and the author of My Hollywood and Other Poems. His work has appeared in The New York Review of Books, the Times Literary SupplementThe Best American Poetry 2023, and elsewhere. He is a Tulsa Artist Fellow, teaches at the University of Tulsa, and edits Nimrod.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Legion

Related Posts

Headshot and Issue 31 cover

Podcast: Lauren Delapenha on “Supermarketing”

LAUREN DELAPENHA
Lauren Delapenha speaks to Emily Everett about her poems “Supermarketing” and “If You Are Learning English,” which appear in The Common’s spring issue. Lauren also discusses her process, her time at the Disquiet Literary Program in Lisbon, and balancing both teaching and writing.

Two Poems: Dispatches from Konstanz and Maastricht

ANA PRUNDARU
in a museum's throat now, here it is / here is a lesson in grieving the past / disappeared by just a flip phone / say it was converted to a tiny pub // here is a lesson in grieving the past / a tiny fit of existentialism / say it was converted to a tiny pub / it was the nineties, remember?

Other Pastorals: Sarah Audsley interviews Eve Alexandra

EVE ALEXANDRA
There’s a line from “Collision” — “we are all invasive and beautiful.” The veil between my grief and the natural world was very thin. And yes, I think there’s a reclamation of the queer pastoral through this feeling of belonging. I know this place so well. My body lives here and is part of this land. I can name those trees, rivers, and flowers.