Motel

By ZACK STRAIT

 

There is a dark blue bible in the nightstand, a pitcher and torch

stamped on the cover in gold. I rub this symbol

with my thumb and I am comforted, knowing another

man was in this room before me, just to

place his light here. I take a seat on the bed, the verses rustling

in my lap like dry leaves as I open to the psalm

about our bodies, how they rise in the morning, settle

on the far side of the sea. And still love

follows us. Next door, two people are moaning. I turn the page.

 

[Purchase Issue 13 here]

Zack Strait is pursuing his PhD at Florida State University. His work has recently appeared in Ploughshares

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Motel

Related Posts

Caribbean picture

Self-Portrait in The Caribbean

PAOLA ASSAD BARBARINO
Sometimes I am emboldened, / I decide to stand in the people’s balcony / I decide it is Maundy Thursday I decide to place a priest behind me that can speak to the people behind / my back / I decide to put out the fire and light my throat / scream

Feltspade

ELIAS SADAQ
I serve out my conscription / sleep in a bunk bed / for four cold months / in the engineer regiment at Skive Garrison / in a room with three other men / I fuck the colonel / the only sign that time is passing / is a pile of snow outside the window / that grows smaller

Book cover of Fifty Mothers

Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani

PREETI VANGANI
With vignettes, I could plumb its narrative arc to become a force propelling the book forward. It also felt haunting yet warm that the mothers kept reappearing throughout the life of this grief. That repetition created a chorus of voices that angers and despairs, yet cradles the speaker.