By JOHN FREEMAN
Backlit by the glow
from a small passageway,
he kneels into the fog
of yellow light,
head kissing the carpet.
I step around him,
respecting his privacy, when
the mat becomes not prayer
rug but builder’s tool,
a black piece of tarmac, laid down
before the bank so he could
peer close, fix the dead
motion sensor so that people
with money could
be seen, all doors opening
for them.
Blue, the infinite within a boundary hue.
Edo artists relished its blood-drain
of sea dawns. Westerners learned to brew
from the Virgin’s mantle the brim celestial stain.
Translated by JONATHAN WRIGHT
In the not-so-early morning, the beach enjoyed a calm troubled only by the swishing of the waves and the murmur of the sea against a rocky spit that extended into the water. At the foot of the white bakery, the waves broke in a monotonous sequence. The Nile Valley café, next to the bakery, shared in the morning calm—Abdul Farraj was snoozing lazily, and the waiter was having a temporary rest from his labors. Everything was calm. The sun crept slowly up the sky and poured light onto the surface of the sea and the roofs of the wooden houses, while a kite squawked on the minaret of the Askala mosque. On the western side of the horizon, the mountains lay in their blue calm, and between the sea and the mountains lay the city.
1
sighing, she wraps the fifth layer of white cloth over the body, folding the corner of each sheet away from the stiffened face. “alhamdulillah, like a rose” the corpsewasher says to the windowless room of sullen women as she runs her broad hand over the cold cheek. the last few beads of water drip from the washing table onto the tiled floor and slide toward a large silver drain.
By TARA SKURTU
It was the first time I’d lived
with a man, and I wanted him
to translate the name of our street.
He was holding my cold fist
in his own, and we were on
Ofrandei, in the middle of unpaved
Bragadiru, Romania, on our way
home. It’s something you give
to get something—like a sacrifice.
Like what you do for a god.
I come home and for a moment before the door clicks shut
you don’t hear me. You go along singing Morrissey, cooking
what smells like potatoes, pouring Bulleit into a glass I bought.
By MARCUS MYERS
If our bodies are vessels, hers sailed away.
I am sunken eleven months deep, away from her
hazel eyes like aulos pipers for my oarsmen,
away from her
and then I remember the faint aching hiss of nitrous leaking from the tip of the siphon into the open mouth of me
a hit off the pressurized cream of me
in the darkened storage room round back of the restaurant of me
at twenty-one, the different sounds that rustled in me
freezer hum and thudding voices, conversation concentrate inside of me
who I used to be, was then and then and then: still me
CLARICE
All his victims are women…
His obsession is women, he lives to hunt women.
But not one woman is hunting him—except me.
I can walk into a woman’s room
and know three times as much about her as a man would.
A starling catches me in a dress
and pierces my chest two times,
deeply, and I cannot blame her.
I have read the report—inconclusive.
Yet, I know how much your brain weighs,
your liver, your heart. Your ordinary,
damaged heart. I know it by the gram.
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