Birds of Passage: A Review

Birds of Passage Movie Poster

Movie directed by CIRO GUERRA and CRISTINA GALLEGO

Review by HANNAH GERSEN

 

From its joyous opening dance sequence to its melancholy ending, Birds of Passage (Pájaros de verano) is unlike any movie you have seen about illegal drug trafficking. It’s a gangster movie that downplays violence, looks closely at attempts at peacemaking, and is centered on the fate of a mother and a daughter. Set in Colombia between the late 1960s and early 1980s, the film is told from the perspective of a Wayúu family who live in the arid, northern region of the country and become significant exporters of marijuana to the U.S. Their success in the drug trade brings wealth, but it also pulls them into a world of violence and greed that engulfs and divides their family and their community.

Birds of Passage: A Review
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We Write Our Own Past: 10 Questions with Elias Farkouh

Elias Farkouh’s short story “A Man I Don’t Know” was among the most viscerally engaging pieces in The Common’s Issue 15 portfolio of Arabic fiction from Jordan. A prize-winning writer and translator who has earned accolades for short fiction collections and novels, Farkouh is interviewed by The Common interns Whitney Bruno, Avery Farmer, and Isabel Meyers, who discuss fear, translation, and formal construction with Farkouh. This is the second of two interviews conducted by the summer interns; the first was with Haifa’ Abul-Nadi.

We Write Our Own Past: 10 Questions with Elias Farkouh
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The Capital of God’s Own State

By BLESSING OFIA-INYINYA NWODO

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Umuahia, Abia state, Nigeria

When you arrive at Umuahia by 10pm to visit your cousins for the Christmas holiday, because their house is closer to your school than your parents’ house in Lagos, you will pass by the tall square-shaped tower with a sign at its peak on all four sides proclaiming “Welcome to God’s own state.” When you get to the bus park, do not attempt to leave without calling your cousin to pick you up in his black, battered catering van. If you do, you will wander in the dark night, pulling your noisy roller bag behind you, looking for your cousin’s house in Amuzukwu. You will wonder again for the umpteenth time why the capital of Abia state does not have functioning street lights, and the rationale behind the governor ordering transport companies not to move about after 9pm for security reasons. You will ask questions of two people in white cherubim and seraphim robes sitting in front of a church and you will be directed to the wrong place. Then you will give up and walk to the only landmark you know—Shoprite. You will call your cousin with your phone battery on 4%, fervently hoping you are not robbed before he gets there. You would be disillusioned by this experience if your mind hadn’t already given your past experiences the surreal quality of a fairy tale since the two times you were here as a child.

The Capital of God’s Own State
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Join Us For Amherst College LitFest 2019

Featured authors include Jennifer Egan, Elizabeth Kolbert, Jamel Brinkley, Brandon Hobson, and more!

LitFest 2019

Amherst College’s fourth annual LitFest, a literary festival celebrating fiction, nonfiction, poetry, and spoken-word performance, will be hosted on February 27 – March 2 of this year. Co-hosted by The Common, this year’s events feature panels with 2018 National Book Award Fiction Finalists Jamel Brinkley and Brandon Hobson, Pulitzer Prize-winning novelist Jennifer Egan, Pulitzer Prize-winning nonfiction author Elizabeth Kolbert, award-winning science writer Charles C. Mann, and more. Author events will be taking place in either Frost Library or Johnson Chapel on Amherst College campus, with most being followed by Q&A sessions and book-signings. All events are free and open to the public. Click here for coverage from the Daily Hampshire Gazette.

Join Us For Amherst College LitFest 2019
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February 2019 Poetry Feature

PEGGY O’BRIEN 
from Tongues

Preface
“Trinity”
“Virago”
“Midges”
“Trying”
“Judgement”

Preface

The following long poem is based loosely on the letters of Abelard and Heloise as translated from the Latin by C.K. Scott Moncrieff.

February 2019 Poetry Feature
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Details, Description, and Difference: 11 Questions with Haifa’ Abul-Nadi

The Common’s summer interns Whitney Bruno, Avery Farmer, and Isabel Meyers corresponded via email with Haifa’ Abul-Nadi, Issue 15 contributor, about Arabic and English authors, the use of details in evoking emotion, and the power of writing in translation. Abul-Nadi’s short story, “Propositions,” was featured in The Common’s Issue 15 portfolio, ‘Arabic Stories from Jordan.’

Haifa Abul-Nadi

TC Interns: What writers and works are you most excited about at the moment?

Haifa’ Abul-Nadi: I am currently reading Eduardo Galeano’s “Voices of Time: A Life in Stories.”

Details, Description, and Difference: 11 Questions with Haifa’ Abul-Nadi
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From A Lucky Man

Excerpt from the novel A Lucky Man by Jamel Brinkley

book cover

 

James kept busy at the security desk now, doing the work of both men while Lincoln sat there with his stomach on his lap. He felt a sort of bond with James now, a familiar gratitude. But one gets sick and tired of saying thank you. When he was engaged to Alexis, and during their first years of marriage, his friends would also tell him how lucky he was, but this was said as a joke. Lincoln would say thank you and agree, would tell them how grateful he was for her, but this wasn’t true. He deserved her—this was what he believed, and he knew this was what his friends believed in. A man of a kind should get what he deserves, and if a man like him couldn’t get a woman like her, then something was terribly wrong with the world.

From A Lucky Man
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From The Study of Animal Languages

By LINDSAY STERN

Animal_Languages

“All my life I’ve been waiting,” says my father-in-law, through the stall door. We have stopped at a rest area along the interstate, halfway between our homes. I would meet him back in the car, if only he would stop waxing poetic.

“Frank?” I face the mirror, smoothing the hair over my thinning spot. “I’ll be—”

“First for school to end,” he interrupts. “Then for my twenties, then for success. Marriage, children, et cetera. For them to leave. For their children. Then the waiting became less conspicuous. Waiting for the cry of boiled water. For the paper. For spring. It took a mighty long time to understand that what I’d been waiting for wasn’t each thing, actually, but the chance to wait for whatever came next.”

From The Study of Animal Languages
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LitFest Friday Reads: February 2019

It’s that time again—The Common and Amherst College will be hosting the fourth annual LitFest at the end of the month. For three days, February 28th to March 2nd, award-winning authors, poets, and critics will descend on Amherst to read, discuss, teach, and celebrate great writing. This year the lineup includes two National Book Award finalists, two Pulitzer Prize winners, and a New York Times bestseller. View the full list of participating writers and a calendar of events here.

LitFest Friday Reads: February 2019
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