Translation as Art: Against Flattening

Essay by HISHAM BUSTANI

English translation by ROBIN MOGER

Essay appears in the original Arabic here.

An introductory essay to Stories from Syria, a portfolio published in English by The Common and in Arabic by Akhbar Al Adab (Egypt).

 

Today, in the second installment of a transatlantic literary collaboration which I hope will last for many years to come, Akhbar Al Adab publishes the original Arabic texts of stories by Syrian writers whose English translations appear in a special portfolio in Issue 17 of The Common, a literary magazine based at Amherst College. The first portfolio in the series contained stories by Jordanian writers and was published in Issue 15 of The Common, which followed the collaboration’s inaugural project: an issue of the magazine (Issue 11, Spring 2016) entirely dedicated to contemporary Arabic literature in translation entitled Tajdeed (Renewal), in which editor-in-chief Jennifer Acker and I selected stories and artworks by twenty-six writers and five artists from fifteen Arabic-speaking countries, with eighteen translators bringing the work into English.

Translation as Art: Against Flattening
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Island Lessons

By CHARMAINE WILKERSON

Jamaican dock

Westmoreland, Jamaica

Scorpions, jellyfish, poisonous flowers. My orientation as a young newcomer to a Caribbean island began with a litany of how to avoid being stung or cut or poisoned or burned. At age four, I learned to shake out my shoes to check for scorpions. I learned to back away from the pink blooms of jellyfish in the water. I learned to recognize the dark, flitting form of the stingray. I learned don’t step on a sea urchin, don’t eat an ackee raw, don’t taste the milky sap of the oleander plant.

Island Lessons
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Review: Farewell, Aylis: A Non-Traditional Novel in Three Works

Book by AKRAM AYLISLI

Translated from Russian by KATHERINE E. YOUNG

Review by OLGA ZILBERBOURG

Image of blue book cover

Contemporary books emerging from post-Soviet countries often deal with the dehumanizing effect of the region’s systems of government on its victims, seeking to trace and partially redeem the psychological and physical harm many have suffered. For understandable reasons, few authors care to look at the perpetrators, at the people who committed murders and mass murders, informed on and denounced their neighbors. Yet, in the post-Soviet reality, often it’s these people and their descendants who have risen to the top, taken charge of the new nation states, and written their laws.

Review: Farewell, Aylis: A Non-Traditional Novel in Three Works
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“Coloso” Chosen for 2019 Best Small Fictions Award Anthology

Best Small Fictions cover

Hugo Ríos Cordero’s story “Coloso” has been chosen to appear in Sonder Press’s 2019 award anthology The Best Small Fictions. The anthology, now in its fifth year, presents one hundred and forty-­six pristinely crafted pieces from an array of authors representing twenty­-six nations and six continents. It features micro fiction, flash fiction, haibun stories and prose poetry. Kathy Fish, author of Wild Life: Collected Works says, “Brilliant, incendiary, incandescent, these tiny stories capture worlds both intimate and universal. Give this book to anyone who says flash fiction doesn’t go deep. This newest volume of Best Small Fictions demonstrates once and for all that flash fiction writers are the Ginger Rogers of the literary world, accomplishing all that novelists and short story writers do, only backwards and in high heels.”

Congrats to Hugo! Read “Coloso” here, or check out his other piece for The Common, “Tonight, the Wind,” from our Issue 16 portfolio of work about Hurricane Maria in Puerto Rico.

Browse more of The Common’s prize-winning pieces here

“Coloso” Chosen for 2019 Best Small Fictions Award Anthology
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The Common Receives Whiting Literary Magazine Prize

Quote about The Common

 

The Common Receives a Whiting Literary Magazine Prize: The Largest National Prize for Nonprofit Literary Magazines, a Grant Award of $60,000


The Common
magazine has been selected as the winner of the Whiting Foundation’s Literary Magazine Prize for medium-sized print magazines, the largest prize category. The Common will receive a total of $60,000 over three years. These funds will support The Common’s mission of featuring new and underrepresented artistic voices from around the world who deepen our individual and collective sense of place.

The Common Receives Whiting Literary Magazine Prize
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Practicing Disaster

By GEORGINA PARFITT

parfitt 1

H.J. Andrews Experimental Forest, Oregon

 

1. Avalanche

To practice the quick slipping away of ground beneath our feet, geologists built a second mountain. This one is a tender surface, fitted with sensors, and rigged for data. On sunny, cold mornings, to practice how helpless, they measure piles to drop — peat, gravel, water-saturated masses of organic matter, combinations to mimic what might happen — and let them fall into chaos. To practice the moment of shock, they invite everyone like a performance. The scientists on their lunch break gather, promising to stand quietly for five minutes after the stopwatch starts, for the duration of the drop, to watch how it all tumbles, gaining speed, no gasping no matter what it looks like, and for ten whole minutes after. This is the most difficult part. Practicing the quiet after.

Practicing Disaster
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