Breaking the Rules of Time Travel: A Film Review of Celine Sciamma’s Petite Maman

Film by CÉLINE SCIAMMA

Review by HANNAH GERSEN

cover of petite maman. shows two girls hugging each other

Petite Maman, Céline Sciamma’s fifth feature-length film, following 2019’s critically acclaimed Portrait of a Lady on Fire, is a time travel story that reminded me of one of my favorite movies from childhood: Back to the Future. Aesthetically, the two have very little in common—one is an art house movie with unknown child actors, the other a somewhat goofy studio feature starring Michael J. Fox—but at the narrative core of both films is a deep psychological wish that many children harbor: to know their parents when they were younger. In Back to the Future, a teenage Marty McFly accidentally travels back in time to meet his parents at the beginning of their high school romance. In Petite Maman, eight-year-old Nelly stumbles into a kind of woodland passageway through which she can visit her mother’s childhood and play with her mother as an eight-year-old girl. In this alternate reality, Nelly also interacts with her maternal grandmother who, in Nelly’s present-day timeline, has recently passed away. 

Breaking the Rules of Time Travel: A Film Review of Celine Sciamma’s Petite Maman
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Podcast: Romeo Oriogun on “The Sea Dreams of Us”

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Transcript: Romeo Oriogun Podcast.


Romeo Oriogun speaks to managing editor Emily Everett about his poem “The Sea Dreams of Us,” which appears in The Common’s fall issue. In this conversation, Romeo talks about his life as a poet in exile from Nigeria, and how that experience of exile appears in his poetry. He also discusses his writing process, the themes he often returns to in his work, and how growing up in Nigeria affects his use of language in poetry.

Image of Romeo Oriogun and the Issue 22 cover (pink seashell on light blue background),

Podcast: Romeo Oriogun on “The Sea Dreams of Us”
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The Bridge of Sorrows: An Excerpt From Thin Places

By KERRI NÍ DOCHARTAIGH

The following is an excerpt from the memoir Thin Places: A Natural History of Healing and Home by Kerri ní Dochartaigh, out now from Milkweed Editions. Click here to learn more.

Thin Places book cover

Even as a child, I could see no way of staying in my hometown. The edges of the broken and breaking city never quite held themselves in place, and my own family life mirrored those fractures. There was just so much loss all around me. Everywhere I turned seemed stabbed right through, constantly punctured by the outside world. The past, present and future all seemed to blend into one, and every single part of the story held sorrow that I couldn’t get rid of, no matter how deep I tried to bury it. So many different things—situations, times of year, people—made the bad things rise up from inside to bite me again. Triggers, I know that now. It left me feeling scared, hollowed out and with no control over any of it, not really knowing how to make it—any of it—stop.

The Bridge of Sorrows: An Excerpt From Thin Places
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Issue 23 Virtual Launch Party

The Common Spring Launch Party

Wednesday, May 4, 2022Image of Issue 23 cover (piece of toast on turquoise background).
5:00 pm
Via Zoom

On May 4th at 5pm EDT, join The Common for the virtual celebration of Issue 23! We welcome fiction writer Fernando Flores, poet Tina Cane, Palestinian writer Eyad Barghuthy, and Arabic translator Nashwa Gowanlock for brief readings and conversation about place, culture, and translation. The event will be hosted by the magazine’s editor in chief Jennifer Acker, in partnership with the Amherst College Creative Writing Center and Arts at Amherst Initiative. 

Please Register in Advance for the Virtual Event. After registering, you will receive a confirmation email containing information about joining the event.

Register Here

 

Issue 23 Virtual Launch Party
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Exotic Pets

By CAL SHOOK

 

The first time Ellis saw the girl, she was sitting on the front stoop of his building. She had a mop in one hand and a broom in the other, like she was using them to guard the place. The packages of Charmin stacked beside her looked like they were at attention too. She can’t be more than five or six, thought Ellis. And instead of climbing the stairs and passing her to let himself inside, he stopped, took off his Yankees cap, and with a smile said, Hiya. Hey kid. Hello there.

The girl did as he expected and gaped at the wine-spill of a birthmark on the left half of his face. She sniffed her runny nose up and blinked through her too-long bangs. Her mouth made a little frown and she said, Hi. My mom forgot the Windex.

Exotic Pets
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The Healing Nature of Truth: An Interview with Brionne Janae

MICHAEL MERCURIO interviews BRIONNE JANAE

Brionne Janae headshot
In conversation, they go by Breezy. When Michael Mercurio and Brionne Janae spoke via Zoom, Breezy was at home in Brooklyn, and Michael was in Northampton, Massachusetts. Though Michael had known Breezy’s work for several years through their publications in Ploughshares, Waxwing, Frontier Poetry Review, The Sun, The Rumpus, and The Academy of American Poets Poem-A-Day, they hadn’t met until they worked together on a program for the Tell It Slant Poetry Festival, cohosted by the Faraday Publishing Company and Black Writers Read. Here, they talk about musicality, authenticity, and the importance of bringing voice to what might be left unsaid. (Please note this interview discusses childhood sexual abuse and trauma.)

The Healing Nature of Truth: An Interview with Brionne Janae
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2022 Festival of Debut Authors

Join The Common’s special events team on April 13th at 7:00pm for our 2022 Festival of Debut Authors, an evening devoted to emerging talents! The celebration will highlight poets and prose writers Priyanki Sacheti, Jeremy Michael Clark, Hiten Samtani, Danielle Ola, Carlie Hoffman, and Amalia Gladhart

Hosted by Ben Shattuck and Sara Elkamel, the festival will feature readings and conversation, and aims to raise scholarship funds for the magazine’s Young Writers Program.

2022 Festival of Debut Authors
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