Public Fishing Dock

By RALPH BURNS

 

We had to leave because someone saw my
father set his bottle down. Because
of something in us we leaned into one another
laughing like a murder of crows. My father
weaving in fluorescent light. Why
when you walk does mud make that sound
like I want that shoe, I want the foot, the boy,
the family ashamed? Truly
I have had dumb ideas.
When we walked to the car
I let out a whoop. And my father wore anger,
he fixed on it, the things he built were landscaped
by it. So he slapped hard. And the ringing
is a triangle. Steel and wand. Two in back,
one in front, our poles out the car window.
Our ignorance ringing under the leaves.
We were music, we were Brahms.
Third movement, fourth symphony.
Winding darkness down Oklahoma hills.
Our tires a choir, no talk, just song.

 

Ralph Burns has published seven books, most recently But Not Yet, which won the Blue Lynx Prize for Poetry. He has recent poems in Image, Crazyhorse, Cimarron Review, FERAL, The Georgia Review, and (SALT). He lives in Fair Lawn, New Jersey.

 

[Purchase Issue 23 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Public Fishing Dock

Related Posts

Map

DANIEL CARDEN NEMO
If I see the ocean / I think that’s where / my soul should be, / otherwise the sheet of its marble / would make no waves. // There are of course other blank slates / on my body such as the thoughts / and events ahead. // Along with the senses, / the seven continents describe / two movements every day

A sculpture bunny leaning against a book

Three Poems by Mary Angelino

MARY ANGELINO
The woman comes back each week / to look at me, to look / at regret—that motor stuck in the living / room wall, ropes tied / to each object, spooling everything in. She / comes back to watch / what leaving does. Today, her portrait / splinters—last month, it was only / askew

Aleksandar Hemon and Stefan Bindley-Taylor's headshot

January Poetry Feature #2: Words and Music(ians)

STEFAN BINDLEY-TAYLOR
I am sure I will never get a name for the thing, the memory of which still sits at a peculiar tilt in my chest, in a way that feels different than when I think of my birthday, or my father coming home. It is the feeling that reminds you that there is unconditional love in the world, and it is all yours if you want.