He calls me and says, “I got a good North Country story for ya.” Then after the story he says, “I don’t know, man. I just feel like it would be cool to write something about the people up here. They’re such fuckin’ characters.” Or he’ll say, “If we could just write something about Mom and Dad, you know. I think our upbringing was super unique.” He has also talked about writing rants about people who don’t know the fucking speed limits around here, who hold him up on the two-lane highways that wind through our mountains. Or about making a website that would provide snarky news about the North Country, with headlines like Wilburs Still Fucking Inbred and Way to Fuck It Up, APA. We’ve been having one-way conversations about his writing projects for years. Sometimes he talks about working on them together, and sometimes he talks about doing it himself. I tend not to say much.
All posts tagged: 2017
The Hotel Belvedere
A June day under the Jungfrau.
Near the railway that brought her here,
an old woman sits on a bench.
She isn’t facing the Jungfrau
but the Hotel Belvedere
The Radical Familiar: Matisse’s Early Nice Interiors
The paintings may be best known for what they are not. They were made on the heels of work now considered Matisse’s most groundbreaking, the paintings from the period between 1907 and 1917 when he engaged with the early perceptions of modernism. His trajectory through these years widened his ambitions and shows him becoming more cutthroat within them, first leaving behind the saturated exuberance of fauvism, then, by degrees, flattening color and form into strange and austere near-abstractions.
Two Poems in the Courtly Manner
By DAVID LEHMAN
1.
Gather ye rosebuds come what may,
Old time’s a frequent flyer,
And many lovers that link today
May soon be forced to retire.
Let each of us have one, each of us be one
Soul unlinking from its mate in the past
To eat the golden apples of the sun.
Youth fondly supposes it will last.
Meandering Zone
We are barreling north out of Salt Lake City, and David is talking about the clouds. “They don’t look like the clouds in the East,” he says. “They’re uniform, but fuzzy.” Out the window, the topaz sky shimmers over the mountains. The snowy peaks echo the color of the fuzzy western clouds, which stretch across the air like floating bedsheets.
April 2017 Poetry Feature
At The Common, we’re celebrating Poetry Month with new work by five of our contributors.
Fayum Portrait [Deal]
I’ve sent a map on wax paper–
What he loves arrayed as clumsy petals.
If it arrives,
someone will ink it in his back,
so it will go with him
like a paw stuffed in a casing,
boardwalk mojo to ward off the hail of RPG, AK,
FOB after FOB, Amputee Ward, TBI, Arlington.
We’ll Always Have Parents
It isn’t what he said in Casablanca
and it isn’t strictly true. Nonetheless
we’ll always have them, much as we have Paris.
Fallow
We were unemployed and without a place to go, but we got up in the morning and pressed things under the iron anyhow. Our parents turned us out of their houses, telling us to Go get some fresh air!, then locked the doors they refused to give us keys to. We piled up in the streets like garbage, a dozen of us on every block, sitting open-legged on the curb in department-store suits. There was me, Mike, Paul, and all the rest of the guys we’d grown up with. We were a decade and a half past high school graduation, loaded down and barely breathing under stubble and spare tires and thick letters from Sallie Mae, but there we all were, out at the bus stop again.
Firsthand Account
The plan was to take the bus to my father’s farm, to see him in person for a change. My mother said, Your father is too busy for you, and you don’t know his wife. But I went anyway. I wanted to be able to say that my father was unavailable, firsthand account.
I packed only one large duffel bag, and my mother drove me to the bus station. She told me, Call me if you need anything. I said I’d call her every day.
I didn’t mind the nine-hour ride.
March 2017 Poetry Feature
At The Common we’re welcoming spring with new poetry by our contributors. (Be sure to listen to the audio link to Megan Fernandes’ “White People Always Want to Tell Me…,” read by the author.)