By TEOLINDA GERSÃO
Translated by MARGARET JULL COSTA
The reason I first donated sperm wasn’t to fill the world with my children, but to get money to buy a new skateboard and go to the movies more often. I didn’t think it would change me.
By LATOYA FAULK
When we identify respect (coming from the root word meaning “to look at”) as one of the dimensions of love, then it becomes clear that looking at ourselves and others means seeing the depths of who we are. Looking into the depths, we often come face-to-face with emotional trauma and woundedness. Throughout our history, African Americans have pounded energy into the struggle to achieve material well-being and status, in part to deny the impact of emotional woundedness. Truthfully, it is easier to acquire material comfort than to acquire love.
—From Salvation: Black People and Love, by bell hooks
Home is not just a house; it’s this yearning for a place where you’re safe, [a place where] nobody’s going to hurt you.
—Toni Morrison, in conversation with Claudia Brodsky at Cornell University on March 7, 2013
IMAGINING THE LAST HOURS OF CLARICE LISPECTOR
“I write and that way rid myself of me and then at last I can rest.”
—Clarice Lispector, A Breath of Life
1:05 a.m.: The rain starts. I arrive; so close to her I can breathe the rain mixed with the sour smell of her scalp.
1:13 a.m.: Fighting against the slowdown of the pills, C sits in front of the dressing table and hates what she sees: an ancient face with new furrows, an aged reflection of whom she thought she still was, a worsened version of herself. She can’t leave the house tomorrow as she is now: swollen face, short eyelashes, brittle hair stuck to her scalp. Grey spots mark her pale forehead like stains on the face of a full moon—a reminder of the fire in the apartment that almost extinguished her years before.
By KC TROMMER
Louise Bourgeois, MASS MoCA
Inside the bounded mercury,
we keep going. All circuits that close
make serpents of us, constrict
and envelop every tender corner until
only a small portion
is distinct, our feet dangling like the end of a
sentence. We suspend ourselves
in a room full of light but take none in.
“Raise high the roof beam, carpenters.
Like Ares comes the bridegroom,
taller far than a tall man.”
—Sappho
A brief architectural brief
“We need to do more, Mom,” my son tells me. He’s fifteen, supports the Kurdish resistance and fancies himself an anarcho-socialist (“It’s not like being an anarchist, Mom, okay?”). The Young Socialist lives in a state of perpetual indignation about the state of the world. He insists that governments can and should do better, and that capitalism is the root of almost all problems—past, present, and future. He hopes for radical social change, but when I call him an idealist, he’s furious: “It’s practical, that’s all. Marx and Öcalan, their ideas would work if people weren’t just so… stupid. And greedy.” I usually tell the Young Socialist that, because I’m a literature professor, my version of “do more” is of the teaching and writing sort, rather than the man-the-barricades sort, which I know disappoints him. He says: “We’re all complicit, Mom. You’re white and a professor, and there’s no way to escape your own privilege, even if you’re only white by accident.”
By JOÃO LUÍS BARRETO GUIMARÃES
Translated by CALVIN OLSEN
to Alexandra and Ricardo
on the arrival of Gui
We all have credit,
Said the bankers.
A matter of faith.
—Hans Magnus Enzensberger
By ELIANE MARQUES
Translated by TIFFANY HIGGINS
To Marielle Franco, city councillor, sociologist, and activist in Black and LGBTQI+ movements, who was assassinated along with her driver Anderson Gomes in Estácio in the middle of Rio de Janeiro on March 14, 2018. Those who ordered the crime have not yet been brought to justice.
We are full of bullets from AKs in our heads and in our necks
With stray slugs that enter our bones our backs
We are in the Ecstasy neighborhood
But not dying of love
By FRANCISCO MÁRQUEZ
Winner of the 2020 DISQUIET Prize for Poetry
Fixed at sunset, a wooden blue shack
as if with it a million scenes of shipwrecks,
not black rock or islands of fog rising individual
in a barrenness of salt. It is not that
By RUI CARDOSO MARTINS
Translated by DEAN THOMAS ELLIS
There are two twin girls in the courtroom. They look very much alike, with fine blonde hair, tightly bound, and short, pretty noses. One can see they have not yet reached the point in life where twins become separate. If they were to trade places, it would not be easy to tell the difference. But do not look at them in this way. A year and a half ago, a curtain fell between them.
Don’t miss an issue! Subscribe to The Common.