By ANGIE MACRI
Danger, as in strangers, men or women;
as in twisters at night when you couldn’t
see them coming; as in the machines
that made work so easy you forgot
to watch what you were doing,
By ANGIE MACRI
Danger, as in strangers, men or women;
as in twisters at night when you couldn’t
see them coming; as in the machines
that made work so easy you forgot
to watch what you were doing,
By ANGIE MACRI
We shouldn’t use Latinate words,
too many syllables, abstractions, flowers.
Instead, use words with Germanic roots,
shorter, to the point. As if half our tongue
was wrong. As if flowers, too,
didn’t belong. Oh, you know what I mean.
Yes, I do: erase those empires and the gods. Say fall,
not autumn; ghost, not phantom;
drought, not famine; fire, not flame.
We have aches, not pains, graves, not tombs.
As if no one from such places
could speak of concrete things,
as if no one came here from such places at all.
Like immigrant. Say one who comes.
Angie Macri is the author of Underwater Panther, winner of the Cowles Poetry Book Prize. Her recent work appears in The Cincinnati Review, The Fourth River, and Quarterly West. An Arkansas Arts Council fellow, she lives in Hot Springs and teaches at Hendrix College.
as a girl approaches a mirror,
not yet a queen, and maybe never,
seeing in the water
no man’s voice to answer,
to say you are better
than another.