All posts tagged: Essays

Across Gymnasium Bridge

By SCOTT GEIGER 

“We have the mind, body, and the mind/body all organizing this building,” offers architect Chris McVoy, metaphorically describing the Campbell Sports Center that opened this fall at Columbia University. The building is the outward expression of an athlete’s inner journey. In a short film, McVoy and his partner and mentor, Steven Holl, discuss their design intentions and the character of experience they’ve created.

Across Gymnasium Bridge
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Cosmopolis, Now

There was a short time, just before I stopped carrying a backpack to school, when I coveted a t-shirt with the words “citizen of the world” on the front. I signed letters for Amnesty International that year, but I never bought the shirt. A few years later, when we tired of the war in Iraq, many pointed out that six of ten young Americans could not locate the country on a map, although half couldn’t find the Empire State either.The war was remote, elsewhere. As far away (farther, even) than Abu Dhabi, where cartoon cat Garfield tries to ship his nemesis—a place galactically distant. When I moved here, I had to look at a map to find out where I was.
Cosmopolis, Now
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Well-Armed

By ROWAN MOORE GERETY

A few months before I moved in, Serge was sitting in his house cleaning an AK-47 when it went off in his lap. Looking down, he found his hands were still intact, and he decided then and there to stop selling weapons. On the French mainland, he’d gone to school for aitiopathy, a form of physical therapy that seeks to provide treatment without pain. Down the line, he still looked forward to opening a private practice; gun running wasn’t worth the risk of losing any fingers. Eventually, Serge’s friends would tell me about his arsenal, though I never saw it myself. Each of them had seen a weapon at his house, and they realized, comparing notes, that the individual guns they’d seen were all different. In fact, Serge seemed to have a very large collection.

Well-Armed
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Ten Thousand Walks by the Little Pamet River

By BRENDAN GALVIN

Walking will solve it.

                    — Roman Proverb

river

Spring and fall, winter and summer for more than half my life, I have gone out walking almost daily on a road that edges a vast Cape Cod salt marsh.  This loosens things up before I sit down with my notebook. A stream meanders through the marsh, and where it parallels the road I walk beside it, out to a bay beach parking lot, then down the strand a half mile or so to a stone jetty, one of two that keeps the tide- and wind-mauled sands from closing the entrance to the harbor.

Ten Thousand Walks by the Little Pamet River
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Big Not-So-Bad Wolves

By LEIGH NEWMAN

I grew up in Alaska, where one thing after another was constantly threatening my young life. Floatplanes stalled. Grizzlies ate our camping
 supplies. A moose wandering through our backyard got angrier than expected when a kid from school threw a rock at its knees. I wouldn’t say I was cavalier or brave about these experiences, but I didn’t need much time to recover from them. I was a child. My conclusion was almost always the same: I was still alive, and so was the rest of my family. We could all eat a granola bar and keep on fishing.

Big Not-So-Bad Wolves
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In a City of Cars

By MARIAN CROTTY 

cars

Before I moved to the United Arab Emirates, I sold the one car I’d ever owned—a four-door Honda, emerald green, white scratches webbed along the doors from the previous owners. I would be gone for just ten months, but the car had an old engine and a dashboard of permanently lit warnings lights, and, every month or so it seemed, a different part broke and needed repairs.

In a City of Cars
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Look At All the Pretty Pictures

Wallpaper

I’m no horticulturalist. I don’t have a garden. It’s renderings of flowers and plants that make me stop short and stare: a page full of small bits of white and domed yellow, the spindly green branching almost like a seaweed. A field of lines and colors on paper becomes a beautiful, vivid thing that recalls the plant I could see and touch and know, if I dared. But illustration owns its subject; as a deliberate man-made composition, it translates the natural world through mind and body, through a series of human choices and means, into an utterly new form. Nature moves from its vast, fascinating world of complex systems to another, smaller one of confinement and relocation. The illustration isolates and resituates its subject in the rectangular page, the book’s binding.

Look At All the Pretty Pictures
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Nightwalk

NYC at night

I no longer have a home in New York City; I will always be at home in New York City. I will always love New York City; I no longer like New York City. I am no longer a New Yorker; I will always be a New Yorker.

I write out those sentences (with apologies to Samuel Beckett) like a contorting pledge of allegiance: disillusioned and desirous. Or, as if the clarifying middle-ground will miraculously appear to me if I just keep repeating the polar opposites. Or because there is no middle ground but repetition could lead to a more complex form of understanding than mere acceptance.

Nightwalk
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