Ostap Kin | The Common

Is Poetry Possible at the Moment History Stirs: Poets of Ukraine

March 9, 2022 News, News and Events

I ask
Half-awake
Is poetry possible
At the moment history stirs
Once its steps
Reverberate through every heart?

— From “Can there be poetry after” by Anastasia Afanasieva, translated by Kevin Vaughn and Maria Khotimsky

With the current Russian invasion of Ukraine, we at The Common have been reflecting on the powerful words of many Ukrainian poets who have appeared in our pages. In recent years their work has been rooted in conflict, as the country struggled first with self-determination and later with the Russian annexation of Crimea and, since 2014, with a Russian-incited war in the East. This focus lends a feeling of prescience and timeliness to their work now, even though most of these poems are not new. We hope you’ll make time to read and reflect on the work of these poets, as we all keep Ukraine and the Ukrainian people in our thoughts.

November 2018 Poetry Feature: New York Elegies

November 30, 2018 Poetry, Translation

This month we offer you selections from New York Elegies: Ukrainian Poems on the City, edited by TC contributor, Ostap Kin, forthcoming from Academic Studies Press.

Ukrainian poets have long connected themselves to the powerful myth of New York, offering various takes on its aura of urban modernity, its problematic vitality. New York Elegies demonstrates how evocations of New York City are connected to various stylistic modes and topical questions urgent to Ukrainian poetry throughout the past hundred years.

Friday Reads: November 2016

November 18, 2016 Reviews

By MAX FREEMAN, OSTAP KIN, and ANNA BADKHEN

November’s Friday Reads features selections from three Issue 12 contributors: poet Max Freeman, translator Ostap Kin, and essayist Anna Badkhen. All three are reading and recommending poetry this month, verses of otherness, foreigness, complexity, and intelligence. In this month, in this year — when the easy, the soundbitey, and the distorted seem to dominate us — we’re happy to endorse these thoughtful recommendations.

Recommended:

Chord by Rick Barot, Orchard Lamps by Ivan Drach, Garden Time by W.S. Merwin, and Dark Archives by Andre Bradley.

The Women

November 1, 2016 Issue 12, Issue 12 Poetry, Poetry, Translation

By SERHIY ZHADAN

Translated by OSTAP KIN
—Tell me about your new girlfriend, about the one
you’re living with now. What’s between you two?
—The air is between us. I just live with her
the way small children live with their fear.

Thirty-Two Days Without Alcohol

November 1, 2016 Issue 12, Issue 12 Poetry, Poetry, Translation

By SERHIY ZHADAN

Translated by OSTAP KIN

A good day is a day
without bad news.
Sometimes everything turns out fine—
no news,
no fiction.

Three thousand steps to the supermarket
frozen chickens
like dead stars
gleam after death.

All you need is
mineral water,
I only
need my mineral water.
Execs, like
frozen chickens,
are hatching
the eggs
of profit
in the twilight.

Three thousand steps back.
All I need to do is hold on
to my mineral water,
to hold on to
the countdown:
thirty-two days without alcohol
thirty-three days without alcohol
thirty-four days without alcohol.

Birds perch on each of my shoulders,
and the one on the left keeps repeating:
thirty-two days without alcohol
thirty-three days without alcohol
thirty-four days without alcohol.

And the one on the right responds:
twenty-eight days till a bender
twenty-seven days till a bender
twenty-six days till a bender.

And the one on the left is drinking the blood of Christ
from a silver chalice.
And the one on the right—the simpler one—
is drinking some crap,
some diet coke.

On top of that
they’re both drinking
on my tab.

[Purchase Issue 12 here.]

Serhiy Zhadan, Ukrainian poet, fiction writer, essayist, and translator, was born in the Luhansk region in 1974 and has published over a dozen books. In 2014 he received the Ukrainian BBC’s Book of the Decade Award; he won the Ukrainian BBC’s Book of the Year Award in 2006 and in 2010. He’s the recipient of the Hubert Burda Prize for Young Poets (Austria, 2006) and the Jan Michalski Prize for Literature (Switzerland, 2014).

Ostap Kin has published work in St. Petersburg Review and Krytyka Magazine. He lives in New York City.