The Beauty of Boys Is

By VIEVEE FRANCIS

that they are not men,
that they have not settled into their beards and
remorse, their crow’s feet and givens.
There is not yet an investment in houses
settling onto their foundations, hair, or
yesterday. The boy senses his time is precarious,
growing shorter as he sprouts up, so he spends
time believing, in everything,
he climbs and
he tumbles and tunnels and spills and
puts to good use his stones and his quarters,
penknife and book, even the stick he uses
to defeat his awkward shadow. He will dream
into existence a raft, a rocket, a fort of mud.
From a cloud
a gift of horses.
From the sand
castle and moat,
kingdom and cause.
Every boy knows he is a lone king,
that above hover dragons
from which he cannot withdraw, and so he must
pull from his quiver the makeshift arrow,
so he must draw the bow, and not yet divided
from his body all is possible.
He looks up
toward a darkening horizon, certain. So certain.

 

Vievee Francis is the author of Forest Primeval, Horse in the Dark, which won the Cave Canem Northwestern University Poetry Prize for a second collection, and Blue-Tail Fly. Her work has appeared in numerous journals including PoetryWaxwingBest American Poetry 2010, 2014, and 2017, and Angles of Ascent: A Norton Anthology of African American Poetry. She was the recipient of the 2016 Hurston/Wright Legacy Award.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

The Beauty of Boys Is

Related Posts

Map

DANIEL CARDEN NEMO
If I see the ocean / I think that’s where / my soul should be, / otherwise the sheet of its marble / would make no waves. // There are of course other blank slates / on my body such as the thoughts / and events ahead. // Along with the senses, / the seven continents describe / two movements every day

A sculpture bunny leaning against a book

Three Poems by Mary Angelino

MARY ANGELINO
The woman comes back each week / to look at me, to look / at regret—that motor stuck in the living / room wall, ropes tied / to each object, spooling everything in. She / comes back to watch / what leaving does. Today, her portrait / splinters—last month, it was only / askew

Aleksandar Hemon and Stefan Bindley-Taylor's headshot

January Poetry Feature #2: Words and Music(ians)

STEFAN BINDLEY-TAYLOR
I am sure I will never get a name for the thing, the memory of which still sits at a peculiar tilt in my chest, in a way that feels different than when I think of my birthday, or my father coming home. It is the feeling that reminds you that there is unconditional love in the world, and it is all yours if you want.