The Beauty of Boys Is

By VIEVEE FRANCIS

that they are not men,
that they have not settled into their beards and
remorse, their crow’s feet and givens.
There is not yet an investment in houses
settling onto their foundations, hair, or
yesterday. The boy senses his time is precarious,
growing shorter as he sprouts up, so he spends
time believing, in everything,
he climbs and
he tumbles and tunnels and spills and
puts to good use his stones and his quarters,
penknife and book, even the stick he uses
to defeat his awkward shadow. He will dream
into existence a raft, a rocket, a fort of mud.
From a cloud
a gift of horses.
From the sand
castle and moat,
kingdom and cause.
Every boy knows he is a lone king,
that above hover dragons
from which he cannot withdraw, and so he must
pull from his quiver the makeshift arrow,
so he must draw the bow, and not yet divided
from his body all is possible.
He looks up
toward a darkening horizon, certain. So certain.

 

Vievee Francis is the author of Forest Primeval, Horse in the Dark, which won the Cave Canem Northwestern University Poetry Prize for a second collection, and Blue-Tail Fly. Her work has appeared in numerous journals including PoetryWaxwingBest American Poetry 2010, 2014, and 2017, and Angles of Ascent: A Norton Anthology of African American Poetry. She was the recipient of the 2016 Hurston/Wright Legacy Award.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

The Beauty of Boys Is

Related Posts

New York City skyline

Lawrence Joseph: New Poems

LAWRENCE JOSEPH
what we do is // precise and limited, according to / the Minister of Defense, // the President / is drawing a line, // the President is drawing / a red line, we don’t want to see  / a major ground assault, the President says, / it’s time for this to end, / for the day after to begin, he says, // overseer of armaments procured

rebecca on a dock at sunset

Late Orison

REBECCA FOUST
You & I will grow old, Love, / we have grown old. But this last chance // in our late decades could be like the Pleiades, winter stars seen by / Sappho, Hesiod & Galileo & now by you & me. // Let us be boring like a hollow drill coring deep into the earth to find / its most secret mineral treasures.

Waiting for the Call I Am

WYATT TOWNLEY
Not the girl / after the party / waiting for boy wonder // Not the couple / after the test / awaiting word // Not the actor / after the callback / for the job that changes everything // Not the mother / on the floor / whose son has gone missing // I am the beloved / and you are the beloved