Photograph of an old, gray-brown house sitting near the shore

Translation: Side Entrance to the House

AMAL AL SAEEDI
It always felt as though I was on the cusp of betraying some kind of covenant if I acted out of my own free will. Like someone who drives an expensive car, but doesn’t own it, and is worried about embarrassing themselves if they get into an accident—ignoring the fact that this accident would put their life in danger.

Close-up images of cardboard boxes.

More to the Story

MICHAEL DAVID LUKAS
Any story—any history, for that matter—is a series of inclusions and omissions, a series of truths and deceptions. The story Grandma Betty liked to tell about her life was not dissimilar to the one Grandma Guta and Grandpa Abe told about theirs. A story of hard work and progress, another version of the American Dream.

heart orchids

December 2024 Poetry Feature #1: New Work from our Contributors

JEN JABAILY-BLACKBURN
What do I know / about us? One of us / was called Velvel, / little wolf. One of us / raised horses. Someone / was in grain. Six sisters / threw potatoes across / a river in Pennsylvania. / Once at a fair, I met / a horse performing / simple equations / with large dice. / Sure, it was a trick, / but being charmed / costs so little.

A sunny, cobblestone street framed by buildings with flat, golden-yellow facades. Ivy creeps between the buildings, hanging above the path.

The Laws of Time and Physics

JESSICA PETROW-COHEN
My necklace has a thin silver chain and a pendant made of sapphires. My mommy says she knew that my mama was ready to die when she gave away her jewelry. I can see it all so vividly. It’s happening now, in June, not then, in June, time is collapsing, June is June is June.

Kittentits cover.

Review: Kittentits

OLGA ZILBERBOURG
Wilson’s novel, too, is a carnivalesque feast. It offers a constant spectacle of death and renewal in exuberant, entirely over-the-top settings. Most characters have a tragic death story attached to them. There are deaths in car crashes, fires, several forms of cancer, and an epileptic girl who dies from an attack of epilepsy that happens when she’s in prison.

Using The Common in my first-year seminars has been fun, fruitful, and helpfully startling for these classes.”

—Martha Cooley, Associate Professor of English, Adelphi University Receive classroom subscription discounts, lesson plans, and more when you TEACH THE COMMON »

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